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Ang Huling El Bimbo The Musical Actor EXPLAINS Its SAD ENDING
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SUPPORT TPKP VIA THESE LINKS: https://linktr.ee/komiksman Ang Huling El Bimbo The Musical actor, Reb Atadero discusses ...
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Run time: 08:23
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00:00.0
Maram, ang pinakang di ko nagustuhan siguro dun sa ending is
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You guys! You!
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Yeah! No, I'm...
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I'm with you!
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You didn't get the ano eh...
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Walang comeuppance.
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And that's the statement that it's trying to make as well.
00:15.8
Really? So, tell us about Ang Huling El Bimbo pala.
00:19.3
Kasi I think this is probably one of the most popular na talagang alam ng mga tao in the mainstream, diba?
00:28.8
Parang most plays kasi parang di naman...
00:33.8
Yeah, I get you.
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So, mas alam pa nga natin yung mga productions from abroad like Miss Saigon, diba?
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Kasi syempre we have actors playing parts in those productions.
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Pero yung locally made, you are part of it.
00:52.8
So, can you tell us about that project?
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That will forever be a blessing for me.
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Because that's the most successful thing that I've ever been a part of, so far, hopefully.
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Sobrang tama kayo.
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We barely know a lot of original Filipino material.
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Especially when it comes to theater, like mainstream success.
01:13.8
And we were blessed enough to have that discography of the Eraserheads
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to be able to use that discography to create this story.
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So, how I got in, and I always have some really weird pivotal stories in my life
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when it comes to the milestones.
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I was doing a production also with the same company, Resorts World.
01:34.8
I was doing a production called Chitty Chitty Bang Bang a year before, 2017.
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And one afternoon, they asked,
01:41.8
you guys wanna read a script? We're trying to develop the next show.
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I'm like, okay, sure, of course. I said yes.
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And then I found out it was Eraserheads.
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Oh my God, I wanna do this.
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So, thankfully, I was able to read it.
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And then, you know, it went on the shelf for maybe like three months.
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And then they asked me to read again.
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They asked me and a couple of other people to read.
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So, we were invited to read.
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And as it turns out...
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What does it mean to read?
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To read, you are given the script, and then you do the scenes.
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You read through the play.
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You are in a round table.
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Yes, a table read.
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That's what it's called, a table read.
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So, we were reading.
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And I read for the part of Hector.
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And one more reading after that,
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it became the reading audition.
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Because the thing is, the people in that room,
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everyone who auditioned for that part,
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they were already familiar with those people.
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Because we were already working in the same industry and things like that.
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So, the lead characters, they were very, very specific.
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What kind of look did they want?
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What kind of vibe did they want?
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So, yeah, after that reading audition,
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and this is where the pivotal moment is,
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the day I ended my six-year-long relationship
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is the same day that I got the role.
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So, literally, one door closes and, you know, a window opens.
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So, it's like a pivotal moment over a pivotal moment over a pivotal moment.
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So, that's how I got the role.
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I got the call after that.
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And, yeah, I got to do Ang Huling El Bimbo.
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And like you said, you know, the commercial success that we owe to,
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of course, the creators of the show
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and the brilliant discography of the Eraserheads.
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So, it's a once-in-a-lifetime ride that I will forever enjoy.
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Actually, one thing about Huling El Bimbo,
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I don't know, maybe there's a spoiler alert.
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I really loved it.
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The best thing about Huling El Bimbo is
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the emotions that I felt while watching.
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Although I would have to say,
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my criticism is that I wasn't really happy with the ending.
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How it ended, right?
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But the brilliant part of Huling El Bimbo,
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because the first half is like, wow, it's so elating.
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You hear the soundtrack of your life, basically.
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And then you see a lot of optimism.
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And, well, being in college, right?
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Feeling like it's taking you back,
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especially people from my generation.
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Those are my college and high school days.
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And then, right before, in the middle,
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there's a cool twist,
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like, wow, where the hell did that come from?
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So now, and then Black,
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because for those who don't watch the play,
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there's something like a break, right?
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Intermission.
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So that's what it's called.
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So after that intermission,
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you don't know what's gonna happen, right?
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You don't know what's gonna happen.
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It's like you were taken, you're so happy,
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and then you're suddenly attacked and knocked out.
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Yeah.
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So without giving way too much of the story,
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the thing I didn't like about the ending is
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it never, you guys, you.
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Yeah.
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No, I'm with you.
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You didn't get the, what would you call it?
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The character wasn't really redeemed.
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And you didn't, no comeuppance.
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That's the word, maybe.
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No comeuppance for those.
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And that's the statement that it's trying to make as well.
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Really?
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In life, there are so many things that are unresolved.
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Right?
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And those are the things that happen.
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Like, there are a lot of things that happen out there,
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you know, in society,
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that, nothing, right?
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Still nothing.
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That's the statement that it's trying to make.
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That like, the stupid, the coward,
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has a story as well.
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Right?
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It's also part of society.
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It's the ugly part of society.
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It's that mirror that it holds up to society.
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So that we can look at it and think,
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what can we do so that this doesn't happen again?
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You know, and it's, yeah, exactly.
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That's exactly what it's trying to say.
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So you think it's, from the get-go,
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it's that the intention of the writer and the creators?
07:01.8
When we were creating the show,
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we were all pretty much involved in it.
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You know, the actors were very involved in creating the characters as well.
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So, yeah, when we were developing the show,
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it's the, that's the thing.
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It's catharsis by way of catharting.
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Catharsis by way of catharting with those who are left.
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Ah, I see.
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That's it. It's the ones we leave behind.
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So what we can salvage.
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I see. So you have that in mind
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when you were playing the parts?
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Yeah, of course.
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When we were creating the characters,
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of course, we couldn't judge the characters.
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You know, that's unknown.
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You can't judge your character as you're portraying your character.
07:52.8
Because if you do, that would be suicide, right?
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You'd already be judging the character,
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which means you'll play him evil,
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or you'll play him like an asshole, right?
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So evil people don't think they're evil.
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Assholes don't think they're assholes.
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So it should be an involved process
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where you really take in, right,
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what that person is thinking, what their motivations are.
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That's precisely what we had to do.