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00:00.0
When buying or selling your home, call Leo Bato.
00:03.0
He has years of experience in real estate,
00:05.0
showing honesty and integrity in every transaction.
00:09.0
He's a person you can definitely trust.
00:12.0
So book your appointment with Leo Bato today
00:15.0
by giving him a call at 818-648-4837
00:21.0
or by visiting him on the web at www.leobato.realtor.
00:27.0
Rejuvenate your smile with Dr. Lourdes Capilong's
00:30.0
comprehensive range of dental solutions.
00:33.0
Along with general dentistry,
00:35.0
Dr. Capilong specializes in cosmetic dentistry,
00:39.0
including teeth whitening, bonding,
00:41.0
dental veneers, and surgical crowns.
00:44.0
Whether it's urgent care or preventive treatment,
00:47.0
she'll take care of you and your smile.
00:50.0
To schedule an appointment,
00:52.0
call the clinic at area code 323-257-7582.
00:58.0
This episode is brought to you by ABBA e-Services.
01:02.0
And the podcast will begin in 5, 4, 3, 2, 1.
01:07.0
Ladies and gentlemen, live at Paco's place,
01:09.0
big round of applause, The Melodies!
01:18.0
Thank you very much.
01:20.0
From what? We just got here.
01:27.0
I need to hear it.
01:32.0
Or am I not? He doesn't know anymore.
01:38.0
Thank you very much.
01:39.0
Melody, congrats.
01:40.0
Thank you for having us here.
01:41.0
And it's great to be back, man.
01:44.0
We have a lot of stories.
01:46.0
Laman, let's talk about that.
01:47.0
Because I'm pretty sure these people will start streaming
01:52.0
and they'll be curious.
01:54.0
So, who wrote the song?
01:56.0
This lady right here.
01:59.0
Actually, I've heard it already.
02:01.0
The song is too sensual.
02:04.0
What's wrong with that?
02:06.0
Nothing. There's nothing wrong with it.
02:08.0
That's why we like it.
02:09.0
That's how you made it.
02:11.0
It's just that when you have an impression of a young Melody, she sings it.
02:20.0
Because we go way, way, way, way back.
02:23.0
And Laman sings it.
02:24.0
So, have you all...
02:25.0
It's like listening to your little sister singing about those things.
02:29.0
All of you who have been on Martin After Dark or Late At Night?
02:37.0
So, that's how old he is.
02:39.0
Really? Wolfgang's never been on a Martin Rivera show?
02:42.0
No, only on Don Zulueta's show.
02:45.0
I think you guys are too intense for my dad.
02:47.0
Yeah, I think so.
02:48.0
Too intense. You?
02:49.0
Yeah, we have been.
02:53.0
I just wanted to know all your ages.
02:55.0
Oh, you? Have you been?
02:56.0
Because I've never been that mad. I was a baby.
02:58.0
Late at night, I was hiding.
03:02.0
I just wanted to know your age without asking your number.
03:05.0
Wait, you're digressing. Let's go back to Laman.
03:08.0
Okay, so you wrote Laman?
03:11.0
What's the inspiration for this?
03:12.0
It's a storyline that I have to just create because a melody came to me one morning.
03:19.0
Let's do it again.
03:20.0
The same way a melody came to us one afternoon.
03:22.0
But let's do it again. Let's do it again. There's a disclaimer.
03:25.0
I just wrote a story. So, this isn't personal?
03:32.0
Because the first word that dropped when I was having these melodies in my head was paulit-ulit.
03:39.0
That's the first word that dropped in that exact melody.
03:44.0
Noong kanta, noong chorus.
03:46.0
So, paulit-ulit, paulit-ulit. Sabi ko, wow, this is a good line.
03:50.0
What can I build as far as a story that will have this line repetitively?
03:56.0
So, nag-build ako ng line from that na may paulit-ulit and then I work my way up and then down.
04:03.0
So, bakit doon napunta sa laman?
04:05.0
Hindi ko talaga alam. I mean, to me, probably it's going to be more interesting if you create a story like that with those words.
04:16.0
Kasi if you listen to the lyrics, simple lang naman siya, although there are some mga malalalim na Tagalog.
04:23.0
Tsaka adult-contemporary ang lyrics.
04:28.0
So, yun nga. For me, it's like a modern-day serenade from a different angle.
04:36.0
A different approach because a lot of people will not accept it that way. Parang, whoa, wait, wait, wait.
04:42.0
The way it's presented, there are some people…
04:46.0
Na parang too much for them.
04:48.0
It's too much for them. Their imagination is not, their mind is not open enough to have that imagination na, you know what, it's both sides.
04:57.0
You can't be just one side feeling like this.
04:59.0
Pati babae, may sensuality rin.
05:02.0
And it's coming from, and then you're hearing it through a woman's voice, so it's more, you know, it gets you.
05:10.0
Speaking of woman's voice, when she presented it to you, anong, how did it get to you? Anong pakiramdam?
05:15.0
Oh, right away. When the lyrics were coming out of her mouth, I'm like…
05:21.0
Hindi pa naman kami close.
05:26.0
No, no, no. I was playing it in front of him. Acoustic guitar, I was singing it in front of him.
05:31.0
So, I was like, you're relaxed, you know, when she started. And then as the lyrics were coming, I'd start to get uncomfortable.
05:42.0
Woah, this song. And then at the end, I was like, wow, this song is solid, man. This is solid.
05:52.0
I still don't understand it.
05:55.0
It's good for you.
05:57.0
I just play guitars.
06:01.0
Oh, we have an English subtitle, so you should be able to…
06:04.0
Oh, finally, I can understand.
06:05.0
Oh, I will forward it to you.
06:07.0
I thought the chorus is just, if life gives you lemons, make lemonade.
06:11.0
No, no, we have English subtitles.
06:13.0
It's for the lyric video.
06:15.0
No, it's probably out by the time this video is out.
06:17.0
But you recorded it also in English?
06:20.0
It's the other song.
06:21.0
Hindi mo dinabi in English?
06:22.0
No, we have another song.
06:24.0
I don't think this song would be good in English.
06:26.0
No, yeah. This is a strong Tagalog song.
06:29.0
Yeah, it's meant to be a Tagalog song.
06:30.0
Kasi pag in English mo, meat, iba na ibig sabihin.
06:34.0
You don't wanna taglish it?
06:38.0
Okay, so ginawang…
06:39.0
Okay, what's your reaction?
06:40.0
And then, ako reaction ko nung unang beses ko marinig,
06:45.0
siya muna eh. Gusto ko yung beat kasi.
06:48.0
Diba? Tapos medyo may pagka…
06:52.0
And then after a while, parang,
06:56.0
Budja, tama ba itong naririnig ko?
06:58.0
Ganoon yung reaction ko.
06:59.0
That was coming from you.
07:01.0
So ang hirap yung one plus one.
07:03.0
Parang, parang, okay.
07:06.0
And you're singing it confidently.
07:10.0
So isa lang sa atin ang may insecure
07:12.0
at mukhang hindi ikaw yung na insecure.
07:17.0
Because she's not.
07:19.0
Because she's like…
07:20.0
This is like, to me, in my head,
07:23.0
it's like this is the most that you can express yourself.
07:27.0
I mean, without being bastos.
07:29.0
You know, without being bastos.
07:31.0
Without being rude, you know.
07:32.0
Parang, naririnig ko pa talaga to.
07:35.0
And the thing is, in Tagalog,
07:37.0
the more poetic you get,
07:39.0
the more uncomfortable people get.
07:43.0
The more honest or the more poetic?
07:47.0
The more poetic and honest you are.
07:49.0
When you portray honesty with that poetic Tagalog,
07:53.0
oh my God, it's deep, man.
07:56.0
And so goes with these kinds of lyrics, you know.
07:59.0
Ang maganda, guys, yung hook, eh.
08:02.0
You get hooked on the way the song was delivered,
08:05.0
even the melody, even the chorus, everything.
08:07.0
Tapos, yun ang next level mo is,
08:10.0
pakinggan ko nga, kasi kinakanta mo niya, eh.
08:13.0
Na parang, woah, woah, ulitin ko nga yan.
08:15.0
Tama ba yung pagkarinig ko?
08:16.0
And yun, yung nabi ko sabihin.
08:19.0
When you were playing this for the first time,
08:21.0
what was going through your head?
08:24.0
Why are you laughing?
08:26.0
What's she saying?
08:31.0
I don't care kasi what you sing about, eh.
08:33.0
All I know is that I understood what she was going for.
08:36.0
It was very easy to find.
08:38.0
Paano ka mag-interpret ng guitar parts?
08:40.0
Kasi kaya ako tinatanong yan, magaling ka sa mga ano, eh,
08:44.0
At saka nung podcast ng Melody, pinag-usapan ka namin,
08:46.0
you're the type na,
08:48.0
napaka-spontaneous mo,
08:50.0
pero yung lumalabas sa kanya, diba,
08:53.0
is parang, woah, ulitin mo nga yan, ang alin.
08:56.0
That happened again the last time I saw him.
09:01.0
We played in Wish Bus.
09:03.0
And then he played this really heavy riff.
09:06.0
And then we started jamming on the riff.
09:08.0
And I'm like, in my head,
09:10.0
Robin better remember this riff
09:12.0
because this is really good.
09:14.0
And then we stopped.
09:15.0
And then like, do you remember that?
09:19.0
I'm like, nothing, never mind.
09:21.0
It's like, oh my gosh.
09:23.0
Ang dami niyan tinatapon na…
09:25.0
But I mean, it's a good thing
09:27.0
because whatever's coming out of him,
09:29.0
it's always by accident somehow.
09:31.0
It's always good.
09:33.0
But the nice thing is,
09:34.0
I forget half the riffs I play.
09:36.0
But when I played the riff for this one,
09:44.0
There really was a part for that song.
09:47.0
And parang we found it.
09:50.0
This is what it's supposed to be.
09:51.0
And palagi mo na ginagawa,
09:53.0
okay, okay, okay.
09:55.0
May mga times minsan…
09:57.0
On the track, it's very quiet.
09:59.0
They made it very quiet,
10:06.0
he has actual parts
10:09.0
when you think about it.
10:11.0
I don't just go to his place.
10:13.0
See, he's like jamming.
10:15.0
At first, you would think
10:16.0
that it's just jamming
10:17.0
because he's a jamming kind of guitarist
10:20.0
But in the studio,
10:21.0
he knows how to be a studio guitarist.
10:23.0
Now, there are parts,
10:25.0
you know, there are guitar parts
10:27.0
and there are rhythm parts
10:28.0
na hindi lang jug-jug-jug-jug-jug ganon.
10:31.0
I don't like that, eh.
10:32.0
How can you have three guitars
10:33.0
playing the same thing?
10:35.0
That's good, yeah.
10:36.0
That annoys me to no end.
10:38.0
O sige, speaking of guitars
10:39.0
playing the same thing,
10:40.0
kayo yung dalawa,
10:43.0
I'm a rhythm guitarist.
10:46.0
the way I see it,
10:48.0
my favorite bands
10:50.0
who don't play the same thing.
10:53.0
is such a good band
10:54.0
because you can hear,
10:56.0
you can tell which guitar
10:57.0
is playing what, you know.
10:58.0
It's not like some bands,
11:03.0
half a power chord,
11:04.0
the other is completing
11:06.0
and the third one's doing
11:08.0
You know what I mean?
11:09.0
They're just doing the same thing.
11:11.0
It drives me crazy to no end.
11:12.0
And they have these exotic guitars.
11:17.0
Five thousand dollar A chord.
11:19.0
Something like that.
11:20.0
She died for nothing.
11:21.0
And the good thing is,
11:23.0
Robin is very technical
11:24.0
as you guys know.
11:26.0
And I'm just like a really
11:27.0
rhythm guitarist.
11:30.0
I won't do any leads
11:31.0
because I'll get lost in the song
11:33.0
or I'll get lost in the guitar.
11:34.0
So, he does that.
11:35.0
I love finding space.
11:38.0
How's Melody as your singer?
11:39.0
Because you're also a solo artist.
11:41.0
I know, I love that too.
11:42.0
It's such a great feeling
11:43.0
that I'm not singing.
11:46.0
all our gigs that we've had,
11:51.0
When I do a Newberry gig,
11:53.0
30 minutes before,
11:55.0
oh, it's off time.
11:56.0
I'm like, whatever.
11:57.0
We're going to start having you
11:58.0
sing songs in between.
12:00.0
did it ever occur to you,
12:01.0
those are two soloists
12:03.0
that you have in the band.
12:05.0
And then when you're together,
12:09.0
and you connect the two.
12:11.0
It's very strange.
12:12.0
But we want Wolf to sing.
12:15.0
You do not want me to sing.
12:16.0
It's very strange,
12:19.0
that the three of us
12:22.0
actually compliment each other.
12:24.0
Because, you know.
12:27.0
the behind the scenes,
12:28.0
how do you compliment each other?
12:32.0
No, because most of the time,
12:34.0
most of the time,
12:36.0
whatever songs there is.
12:41.0
I mean, we have the songs
12:42.0
that we recorded for the album.
12:44.0
And then we have some,
12:45.0
we have newer songs
12:46.0
that haven't been recorded yet.
12:47.0
Pero kompleto na eh
12:48.0
because she has like a whole,
12:51.0
the skeleton is there.
12:56.0
we just have to sit down
12:58.0
and arrange these things.
12:59.0
I mean, and the songs
13:00.0
that she's coming up with,
13:06.0
It's like when you,
13:07.0
when you hear it,
13:08.0
my imagination goes
13:12.0
that kind of rock,
13:16.0
And the way he injects his,
13:24.0
it just compliments.
13:28.0
The music kasi is like,
13:29.0
it's not a straight up,
13:30.0
it's not a standard song.
13:33.0
there's always a beginning,
13:34.0
middle, and an end.
13:35.0
So may art talaga sya.
13:36.0
There's always like
13:37.0
a storytelling portion.
13:38.0
Like what you say
13:40.0
may storyline, yeah.
13:41.0
Although I don't know the words.
13:42.0
For Tagalog lang.
13:44.0
It still feels like it.
13:46.0
That's what I'm trying to say.
13:47.0
I don't understand what she's saying.
13:49.0
But I don't need to understand
13:50.0
what she's saying.
13:51.0
Nararamdaman mo kasi.
13:53.0
I know what she's going for.
13:54.0
I know what she's speaking about.
13:55.0
You know what I mean?
13:58.0
ikaw ang pinakamatanda rito
14:01.0
Ikaw ang pinakabata.
14:03.0
malalayo kayo sa isa't isa.
14:05.0
I'm the furthest.
14:09.0
perfect example na
14:11.0
logistics is not an issue
14:13.0
para makagawa ng tugtog.
14:16.0
It's very difficult.
14:17.0
But you guys make it work.
14:20.0
For most of the time.
14:23.0
nagsastart ng banda,
14:26.0
pag nakakausap ko,
14:27.0
lagi niya sinasabi,
14:29.0
anlayo ko na ganyan.
14:32.0
magkakasama pa rin kayo.
14:33.0
How long has the band been?
14:35.0
There's been a break
14:36.0
because of the pandemic.
14:39.0
we've been together since 2019.
14:41.0
Are we skipping it?
14:42.0
We're not counting that.
14:44.0
we can skip that.
14:55.0
nalayo niyo sa isa't isa,
14:58.0
nakagawa kayo ng,
14:59.0
it's an EP that's coming out
15:00.0
or just a single?
15:01.0
It's a full album.
15:05.0
It's gonna come out next year.
15:07.0
Kaya ako binagit kanina,
15:08.0
you being the eldest,
15:11.0
ang pinakaseryoso rito?
15:14.0
Seryoso sa inyong dalawa?
15:15.0
I'm the serious one.
15:16.0
Definitely not him.
15:17.0
I'm the serious one.
15:18.0
He's from Chicago,
15:21.0
That's a commitment.
15:23.0
that's a commitment.
15:26.0
I think we're all,
15:29.0
we're here right now.
15:35.0
we've all had bands before.
15:37.0
We all know how bands work.
15:40.0
when the band is working,
15:41.0
when the music is good,
15:42.0
when what you're creating is good,
15:44.0
that it's worth it to come
15:46.0
and convene and play it,
15:49.0
then you ride that wave.
15:54.0
you ride the wave, man.
15:59.0
the last band creative outlet
16:00.0
I had before this
16:01.0
was Three Headed Dog.
16:05.0
Tsaka iba yung genre.
16:06.0
Yung genre mo ngayon iba.
16:10.0
I've always listened to all kinds of music.
16:13.0
So this kind of band
16:17.0
is the music that we grew up with
16:23.0
that's where I can,
16:24.0
my love for that era of music,
16:27.0
I can apply it with this,
16:33.0
naiinig mo siya dati with Wolfgang.
16:37.0
doon nagkakilala kayong dalawa,
16:39.0
and nakita mo yung,
16:41.0
yung kanyang different side of playing,
16:45.0
how did it move you?
16:47.0
You mean when he was playing with Wolfgang?
16:50.0
When he was playing with Wolfgang,
16:51.0
legendary yun eh, di ba?
16:54.0
ibang style ng music mo,
16:56.0
iba ang drumming niya.
16:58.0
But when you listen to the album,
16:59.0
cohesive kayo eh.
17:01.0
Ikaw rhythm guitar player,
17:04.0
dikit yung ginagawa niyo.
17:05.0
These are your songs.
17:07.0
Nasa utak mo na kung paano mo gusto marinig.
17:10.0
legendary drummer,
17:11.0
finally working with you together.
17:14.0
How did his drum style move you?
17:19.0
I'm gonna correct you.
17:20.0
When I'm writing the songs,
17:21.0
and the songs that I've written in the past,
17:23.0
even before meeting them,
17:24.0
I don't have an idea how it's gonna sound.
17:28.0
that's when he came in,
17:33.0
they kind of like,
17:34.0
did the landscape.
17:36.0
was it like that when
17:37.0
it was presented?
17:39.0
I have the structure.
17:41.0
I have the structure,
17:42.0
the melody and everything,
17:46.0
it sounds like a reggae,
17:49.0
or more like a reggae beat.
17:50.0
He was the one who said,
17:51.0
let's do it this way.
17:52.0
Okay, let's try it this way.
17:56.0
because right when I heard her,
17:57.0
the first time I heard it,
18:00.0
come closer Robin.
18:03.0
like the Netherlands,
18:17.0
it's like this is Jamaica.
18:18.0
We have to play it like that.
18:19.0
We have to play big drums,
18:20.0
but it's a reggae,
18:23.0
And I don't have that in my mind.
18:24.0
I wrote the song before
18:29.0
sya hindi ganoon ang pag rhythm mo
18:30.0
dati nung ginoon mo.
18:32.0
when I was doing the music,
18:35.0
let's inject the bridge.
18:36.0
I was trying to figure out a chord.
18:37.0
You might not remember this,
18:40.0
anong chords pwede dito?
18:41.0
And then he gave me,
18:43.0
F minor yacht or something.
18:46.0
I don't remember.
18:48.0
he doesn't remember of course.
18:49.0
What part is this?
18:52.0
hoo-hoo-hoo naman.
18:54.0
the part at the end.
18:57.0
I couldn't figure out.
18:58.0
Mahina ako sa ganoon eh.
19:01.0
He always forget it.
19:05.0
I came up with it,
19:07.0
He even forgot that he named the band.
19:10.0
Are you remembering it?
19:16.0
Call it her name.
19:18.0
call it your name,
19:20.0
that's a tall order.
19:21.0
I didn't want it.
19:22.0
I didn't want the melody,
19:25.0
Anong reaction mo ron?
19:27.0
Because the D's during that time
19:29.0
It was just D apostrophe S
19:30.0
which means something to them.
19:33.0
I don't want that.
19:34.0
It sounds like my name.
19:55.0
huling usap natin,
19:56.0
hindi mo alam kung
19:57.0
magbabanda ka pa o hindi.
20:00.0
a hundred percent
20:01.0
all-in ka ngayon eh.
20:02.0
This episode is brought to you by
20:04.0
Leo Bato and Associates.
20:06.0
Ang realtor na pato.
20:09.0
because it's working.
20:10.0
The music is good.
20:23.0
expressing myself on this
20:26.0
So the drums that you hear
20:29.0
on the rest of the songs
20:41.0
when we talk about drums,
20:49.0
May commitment ka ron eh.
20:58.0
when you hear Laman,
21:00.0
from the beginning,
21:14.0
What's the question?
21:20.0
There was a pause,
21:29.0
pag nag-uusap kami,
21:30.0
He's laughing, oh.
21:32.0
pag nag-uusap kami,
22:23.0
It's not, anyway, it was stupid.
22:26.5
Take note guys, from Samoan, napagtiruan mo,
22:30.3
ano, seryoso ka ba dyan sa The Melodies?
22:32.3
So I called Melody the other day
22:36.0
because I saw all the press that was coming out
22:38.0
and I go, what the heck, how did we get all this press?
22:41.0
He didn't even know we were signed with a label.
22:42.5
Yeah, I didn't even know.
22:43.5
So I called her, I go, who's this label?
22:46.0
And she goes, we're signed with them.
22:47.5
I go, I told you this.
22:49.0
And I said, the first thing I said,
22:51.0
wow, my label's not gonna like that.
22:57.0
We mentioned it to him a while back.
22:59.0
So I was like, so then I told her,
23:01.0
I like what I'm reading.
23:03.0
Can I do that with me?
23:05.0
So, but, I mean, it's, what he said,
23:09.0
when the music's good, you can't, you know,
23:12.0
you can't not keep making it.
23:14.0
And then we came to the point that we kept rehearsing
23:17.0
and rehearsing, it's coming out of my ass already.
23:20.0
But when we started playing, it's like,
23:22.0
it's different when you finally play,
23:24.0
you have all this energy and you don't know how,
23:27.0
that's the thing, when you write a song,
23:29.0
you hope it's good, but you can't tell
23:31.0
until you do it in front of people.
23:33.0
So, you know, people are enjoying it,
23:36.0
they're dancing and that's all,
23:38.0
that's all we do this for, right?
23:40.0
So it was just good.
23:42.0
So going back to my question,
23:43.0
you, so you're really committed.
23:46.0
Yeah, okay, that was the question.
23:50.0
I could have just said yes.
23:52.0
I have to go with this long ass.
23:54.0
No, because when we're talking,
23:56.0
I'm not joking, how's it gonna work?
23:58.0
I don't know, it's Melody's band,
24:01.0
I'm just there, she plays guitar.
24:03.0
But honestly, even if it didn't work out,
24:05.0
then she still wanted the songs to sound like they were,
24:08.0
I would have totally just played it.
24:10.0
I didn't have to be part of the band,
24:12.0
I could have just been a guitarist.
24:14.0
I'm not getting, what?
24:16.0
You don't have to, what?
24:19.0
Okay, okay, okay.
24:20.0
We didn't know we were going to do all of this.
24:25.0
Until last week, when we launched the one.
24:27.0
You know why, the catalyst really,
24:29.0
the catalyst is our friend Angelo.
24:33.0
Yeah, shout out to Angelo Alonte, man.
24:35.0
He co-produced the album.
24:37.0
And he got us into this,
24:39.0
access to this studio.
24:49.0
because the quality of the recording.
24:52.0
How many miles are you from Silver Lake?
24:55.0
It'll take me an hour.
25:01.0
You see Long Beach?
25:03.0
I have to leave after lunch.
25:07.0
Sorry, sorry, sorry.
25:10.0
I mean, going to L.A. is like, it's normal to me already.
25:13.0
You know, one hour, it's nothing.
25:15.0
So Angelo, Silver Lake.
25:17.0
But yeah, but I mean, he got us access to this,
25:21.0
to some high-end equipment, you know.
25:24.0
And that's why the drums sound amazing.
25:28.0
Everything sounds amazing because we,
25:30.0
we had access to these, these like.
25:35.0
Microphones that cost thousands of dollars, man.
25:38.0
German-made microphones, so.
25:41.0
So that's why when we.
25:43.0
Angelo believed in you guys.
25:44.0
Oh my God, did he ever believe in us?
25:46.0
We paid him a lot.
25:48.0
He met the band last September.
25:51.0
From that day onwards, he's been.
25:53.0
Until now, until today, until right now.
25:56.0
Until like this morning when I was texting him
25:58.0
to do something for us.
26:00.0
He doesn't respond to me anymore.
26:02.0
I want to tell him something.
26:04.0
I feel like you're avoiding me.
26:10.0
But anyway, that was the catalyst of,
26:12.0
of like, hey, we got something here.
26:15.0
We have a chance to make,
26:17.0
at the very least, a really good-sounding record.
26:20.0
And it's different.
26:21.0
The three of you believe in yourselves differently.
26:24.0
But when there's an outsider who believes in you,
26:27.0
it's different, right?
26:29.0
Like, oh my God, someone's believing in us already.
26:32.0
Aside from you guys.
26:33.0
And the support that he's given us.
26:35.0
I mean, why would we not grab it?
26:38.0
And, you know, make the best out of what we can.
26:40.0
Kasi nakakahiyan naman dun sa naniniwala sa'yo.
26:43.0
Giving you all this access.
26:44.0
And then we'll just be like, oh, whatever.
26:48.0
Ksayang yung opportunity to record in that kind of studio.
26:52.0
And then we're just gonna, what, come up with like,
26:54.0
a B-plus, you know, effort na.
26:56.0
A mediocre recording.
26:57.0
That's, no, we can't do that.
27:00.0
So, itong record label na binagit mo na ngayon.
27:02.0
Lily Stars Records.
27:07.0
I will follow you now.
27:14.0
How did this come about?
27:17.0
Robin and I want to know.
27:19.0
Yeah, you guys are funny.
27:26.0
Because you live far, eh.
27:28.0
You're in Chicago, eh.
27:30.0
It's hirap to make chismes with you.
27:38.0
Clem and I were chatting.
27:39.0
I don't know him personally.
27:41.0
He knows my band back then.
27:45.0
Clem is from Orange and Lemons.
27:46.0
Orange and Lemons.
27:48.0
Is he an orange or a lemon?
27:53.0
He was the one who helped me get my banduria from the Philippines.
27:55.0
So, that was our transaction.
27:57.0
Basically, that's what we were talking about.
27:59.0
And then, he said that I told him that I have a band we're recording right now.
28:03.0
Sabi niya, yeah, I actually checked out your demo.
28:06.0
That time, may demo pa kami.
28:08.0
And sabi niya, if you guys like, I could help you.
28:11.0
So, basically, he offered the label to support us if we like.
28:16.0
During that time, he was talking to another bigger label.
28:19.0
Because he and I were already trying to find out a way to how we could have the album distributed by some shape or form.
28:28.0
Pero, he's doing his own thing.
28:29.0
And then, Clem is telling me, I was going to go to another one that I know.
28:34.0
But, he was the one who said.
28:36.0
I said, you have not even heard of the other songs.
28:38.0
He said, it doesn't matter.
28:42.0
Uy, baka yung iba pinapakinggan muna niya.
28:45.0
That's why he said.
28:48.0
Ano ko lang yung bola ko lang yan.
28:50.0
So, I told this guy.
28:55.0
But, she didn't tell me.
28:58.0
What's going on with your transaction with that big label?
29:03.0
We're still chatting.
29:10.0
This guy from Lily Stars.
29:11.0
And, I gave him the catalogue.
29:12.0
Because, Clem forwarded sa akin.
29:13.0
Pinakita ko sa kanya.
29:14.0
And, then it looked good.
29:17.0
So, we had a Zoom chat with him.
29:18.0
Na, mga June na to.
29:19.0
And, then we just took the contract.
29:26.0
And, then we made it clear.
29:29.0
We made a great choice.
29:30.0
And, we're glad that we signed up with them.
29:32.0
So, may Philippines tour ba ito?
29:34.0
We don't know yet.
29:35.0
Why will you pay for it?
29:37.0
Yeah, if they pay for us, why not.
29:40.0
Well, I mean the goal right now is to really get laman heard to assign us.
29:48.0
Doon ka magaling.
29:50.0
Well, not really.
29:51.0
Because I'm not in Philippines.
29:52.0
That's why we need the Lily Stars.
29:55.0
Ikaw, I've always been vocal about saying this, magaling ka talaga mag-market, lalo na noong nagkaroon ng social media, magaling ka talaga sa ganun.
30:07.0
So, are you doing the same thing for...
30:09.0
Oh yeah, well, yeah, you try your best with what you have, you know, on Instagram, on Facebook.
30:14.0
You know, this, make it as interesting as possible in 15 seconds, you know.
30:20.0
It's like, I mean, I don't have ADD, like young people have ADD right now, you know.
30:28.0
But I have to dance in that world, I have to dance to that song.
30:35.0
So, you know, there's like one hour in a day when I'm like...
30:42.0
And then I'm like, oh, okay, that's enough.
30:44.0
But you're the type who doesn't go back and look at it, eh.
30:46.0
Ikaw, pag in-out mo na sa ether, done na yun, o binabalikan mo.
30:51.0
Well, I check, you know, I check.
30:53.0
There will be some inquiries sometimes and comments like, hey, how do we, you know, we don't want to miss that too, right?
30:59.0
Social media, napaka-vocal nito sa social media, you guys deal with it?
31:04.0
Well, I don't post on the band's socials, only on mine.
31:11.0
My views are my views.
31:12.0
And okay kayo ang dalawa ron?
31:14.0
I don't care, that's his wall.
31:16.0
I don't care, that's his wall.
31:19.0
Isn't it supposed to be like that anyway, di ba?
31:22.0
Where's not like that?
31:23.0
Respect is the key.
31:26.0
Yeah, so you post your own thing, that's whatever, you know.
31:30.0
But you respect other people, don't be bastos.
31:33.0
So nga kayo tinanong ko siya, from Wolfgang to Three Headed Dogs, siya naman, si Robyn Nivera hanggang sa Naging Nivera, hanggang sa…
31:45.0
What are my credentials?
31:48.0
Robyn Nivera to Nivera, ngayon entrepreneur ka, meron kang mga binabentang merch.
31:54.0
Oh yeah, I like the white.
31:57.0
Which one, the hoodie?
31:58.0
The white hoodie, yeah.
31:59.0
Love ko to eh, parang little brother ko rin to.
32:01.0
I'll buy that one.
32:06.0
Kaya alam mo na, pagkatapos ng Sugar Hiccup, after starting a family, did it ever occur to you na magbabanda ka ulit?
32:13.0
No, I stopped for five years.
32:15.0
I had a child after child after child after child after child, like six times.
32:21.0
Yeah dude, and I stopped music for about five years because I have to raise those children, work.
32:29.0
During that time, my husband was also in the service.
32:33.0
Wala siya dito, he was out of state.
32:35.0
So ikaw lang talaga.
32:36.0
So kada uwi niya…
32:41.0
Uy, meron na naman!
32:43.0
Hindi ako nakapagpaputok sa Iraqi.
32:49.0
But yeah, I stopped for five years and I didn't think that I would ever go back to playing.
32:54.0
But in those five years, I would write snippets of songs, melodies in my head, lyrics, you know.
33:00.0
So I call them mga parang pira-piraso.
33:04.0
Because they're just, you know, whatever.
33:06.0
A short verse, a chorus, a melody, lyrics, wala.
33:09.0
And then eventually, I started playing again.
33:13.0
Pero not really playing those new songs.
33:15.0
It was more of like Sugar Hiccup catalogue and then I had Stella Snatch when I first came here.
33:20.0
So I was doing that.
33:22.0
And then for some reason, mga 2018, 2019, nagkaroon ako ng parang…
33:27.0
Uy, biglang andami kong nasusulat.
33:29.0
And again, this was before meeting.
33:31.0
I didn't have in my head to form a band or collaborate or whatever.
33:35.0
But I was playing with another band, you know, with Sugar Hiccup catalogue.
33:38.0
And then I just kept them.
33:40.0
I kept them on my phone.
33:41.0
They're sitting on my phone.
33:43.0
Been there for years.
33:45.0
That's why when I collaborated with these guys,
33:49.0
those music and songs are just gonna stay here on my phone until I die siguro.
33:56.0
Kasi, you know, I might record it as an acoustic.
34:01.0
But it's not gonna sound the way they're sounding now.
34:03.0
So ano sinasabi ng husband mo ngayon?
34:05.0
I wanna know what's in your head.
34:07.0
I mean, I know you said it a while ago.
34:09.0
But I'm just curious as to how you really thought these songs would come out.
34:12.0
Yeah, yeah, yeah. Ako rin.
34:13.0
Sige, good question.
34:14.0
Okay, so I have no idea lang kasi I just know that it's a pure verse-chorus-verse-chorus and then ending, diba?
34:21.0
I know it's gonna come up.
34:25.0
It's not very simple.
34:29.0
It's not very simple.
34:30.0
Ang ganda. Ang ganda eh.
34:31.0
But these are the guys who painted colors to it.
34:34.0
I just drew the outline.
34:38.0
And all the songs, it's the same with Sugar Hiccup.
34:41.0
Let's just go back there.
34:42.0
Because right now, even two years ago, Zandro from Sugar Hiccup and I are still collaborating even though we're far.
34:50.0
I would throw him a song, same raw demo.
34:54.0
He would come back to me with the full music.
34:57.0
And that's not in my head.
34:59.0
When I'm writing a song, I'm like, whoa.
35:01.0
And I think that's the...
35:03.0
Yun yung excitement part.
35:04.0
Yun yung excitement ko eh.
35:05.0
Kasi parang, sige nga.
35:08.0
Gawin mo nga ng kantayan.
35:10.0
Gawin mo ng real, complete song.
35:12.0
And then they come up with that beat, that guitar lick, and then whatever.
35:17.0
I'm like, oh, wow.
35:21.0
Because I'm used to being in a band that we get together, sit down, and rap your brain out until a song comes out.
35:32.0
That's what I'm used to.
35:34.0
So when I'm used to songwriting na talagang trabaho.
35:38.0
Trabaho talaga when you finish songwriting.
35:40.0
Kasi from nothing.
35:41.0
Pero pag labas natin ng kwarto, kailangan may something.
35:44.0
If there's a riff, it's like we have to finish this riff.
35:49.0
Before the session ends.
35:52.0
Ang hirap talaga.
35:54.0
Ang hirap talaga.
35:55.0
But that's what we got used to.
35:57.0
Because there's nothing else to do.
36:02.0
It's either that or you go to the movies.
36:04.0
Yeah, they have time.
36:06.0
I mean during those days.
36:08.0
And this time around, it's great to have a songwriter.
36:12.0
Actually two of them.
36:14.0
And to have these.
36:17.0
Because Robin has a song on the album too.
36:19.0
Oh yeah, you should tell about that.
36:27.0
So in the same fashion, he gave us his song.
36:34.0
And it was just the drum beat and the guitars and the bass.
36:37.0
It's a full song.
36:39.0
Yeah, it's a whole thing.
36:41.0
And then she put the words.
36:43.0
She put her own lyrics and melodies.
36:46.0
So music lang ang binagay mo.
36:49.0
Binato niya sa amin.
36:50.0
Like okay, I have this.
36:51.0
And I listened to it right away.
36:52.0
I'm like oh wow, okay.
36:55.0
And I just started writing the words.
36:56.0
And then after that, I had like a demo in my guitar.
36:59.0
Kasi hindi naman ako pwede mag-record sa file niya.
37:01.0
And I just threw it at them.
37:03.0
Noong binato niya, Wolf, Robin.
37:07.0
Noong binato ni Melody sayo.
37:09.0
And he made some changes on some of the breaks.
37:14.0
I mean, I don't like to write the same kind of song.
37:20.0
So that song was just like, I was in the studio.
37:23.0
I was recording one of my songs, Energy.
37:25.0
And I hired a drummer.
37:27.0
And he and I got close.
37:29.0
Galing yung drummer.
37:31.0
So he just went in the recording booth.
37:34.0
And the sound guy left, Nick.
37:37.0
He went to the bathroom.
37:38.0
He went to get his food.
37:40.0
And he just started playing.
37:41.0
And I started playing.
37:42.0
And then we recorded it.
37:43.0
Then we finished the IDM.
37:45.0
And then he was like, just, what are you going to do with it?
37:48.0
I go, I don't know.
37:49.0
It doesn't sound like it would make sense for my album.
37:51.0
So I said, I'll just keep it.
37:52.0
And then I showed it to them.
37:53.0
And then she could put the words inside and everything.
37:56.0
And then I completely forgot.
37:57.0
I was gone for so long that when you guys sent me the demos,
38:01.0
I go, what song is this?
38:08.0
I even said, I like where the chords went.
38:14.0
When I got to the last part, I go, oh, that's my part.
38:22.0
So now you've heard both songwriters put something in the pot.
38:30.0
And it came out with a finished product that is so different from how it came from.
38:38.0
And for me, it's fun.
38:40.0
It is so much fun to just add the color.
38:44.0
Because the outlines, I don't do outlines.
38:48.0
That's my frustration.
38:50.0
I'm not an artist by hand, you know?
38:53.0
But you're good at complementing the outline.
38:55.0
Yeah, I know how to.
38:56.0
Right away, I'll see colors.
38:58.0
Right away, boom.
38:59.0
I'll see arrangement.
39:01.0
It's there right away.
39:03.0
Before the day ends on that song, like Laman, when I first heard it,
39:07.0
I already heard what this thing came out.
39:10.0
Now, you hear it in your head.
39:11.0
How close is it to what people hear when they stream?
39:16.0
That's exactly what I, in my head, that's Laman.
39:19.0
And that's far from what I thought the song would come out.
39:23.0
When I first wrote it, that's not how I thought it would sound like.
39:26.0
But it's perfect.
39:27.0
And another shout-out, another person who's in the same wavelength as us,
39:33.0
the guy who's mixing this thing is Diego Garrido.
39:37.0
He was an engineer back in the 90s.
39:42.0
And he engineered Semenilin, Wolfgang's second album.
39:45.0
He did Beggar's Moon of Razorback.
39:49.0
So, now he's in New Jersey, and he mixed it.
39:56.0
This episode is brought to you by Dr. Lourdes Capulon.
40:00.0
I'm just blown away how it sounds from him.
40:04.0
Because we had another choice.
40:05.0
We had so much other choices.
40:06.0
Yeah, we had other choices.
40:07.0
Of locals, you know, locals.
40:09.0
Some of them were arrogant.
40:12.0
It's like, I don't know who they are.
40:17.0
Let's plug Diego.
40:22.0
Diego Garrido of Belmar Underground.
40:24.0
So, if other bands need people to mix—
40:28.0
If you're in the Jersey Shore, in the New Jersey, New York area,
40:32.0
look him up, Belmar Underground.
40:37.0
And you, Robin, are you a sandbagger?
40:40.0
How many songs did you sandbag in this band?
40:44.0
What do you mean?
40:45.0
It's a sandbagger.
40:47.0
It's like, oh, this is mine.
40:50.0
Oh, this is mine.
40:53.0
Oh, this is Melody's.
40:55.0
I didn't intend on giving it to them.
40:59.0
I was just like, I came back the next rehearsal,
41:02.0
I have words left for the song.
41:04.0
You know, I didn't know.
41:05.0
But it worked out.
41:07.0
But are you now proactively writing for the Melody's?
41:11.0
No, I don't think like that.
41:14.0
I don't even write thinking for me.
41:16.0
I just want to write.
41:18.0
And then, you know, if it's a song just for me,
41:21.0
I'll keep it, write to it, and then if I'm sick of it,
41:24.0
then I'll bring it to them one day,
41:27.0
or I'll give it to someone else who might think better of it.
41:31.0
But the whole purpose is just write something,
41:34.0
you know what I mean?
41:35.0
It doesn't have to be for the next single.
41:38.0
It can be for a movie.
41:39.0
It can be for anything.
41:41.0
Talk to me about that, the writing process,
41:43.0
including you, Melody.
41:44.0
Because you said all of a sudden,
41:45.0
you wrote a lot and all that, right?
41:49.0
You're good at writing.
41:52.0
What activity do you do to sharpen it?
41:57.0
Do you guys stop?
41:58.0
Do you have days where you stop writing?
42:00.0
You said earlier that it's just bits and pieces.
42:02.0
You said, this can be a movie, this can be this.
42:04.0
What's your writing process?
42:05.0
And then I'll get to you.
42:07.0
Mine is, I think I'm seasonal.
42:10.0
So sometimes I won't be able to write.
42:12.0
But when I do write, I can write like 10 songs in a week.
42:17.0
And I won't finish any of them.
42:18.0
They're all just ideas that you either put together.
42:20.0
And is that okay?
42:23.0
For me, my rule with any band is,
42:26.0
I won't say no to your idea.
42:28.0
I'll see how I can put that into my idea.
42:31.0
So that's how I think with other bands or other people.
42:34.0
It has to be like that.
42:35.0
Because that's how you make something out of nothing.
42:40.0
How about you, Melody?
42:41.0
Like, the writing part.
42:43.0
Family, kids are kind of big now.
42:46.0
But now, it's all overflowing.
42:49.0
Is it an ongoing thing?
42:52.0
Right now, I'm noticing that it's ongoing.
42:56.0
For like, knock on wood, since 2018.
43:01.0
And it happens when I just pick up a guitar.
43:05.0
I would just strum various random chords.
43:08.0
And then, ooh, that sounds good.
43:10.0
And then I'll move along.
43:12.0
And then a melody would pop up.
43:14.0
And then, the way I write songs,
43:16.0
is that it would be the melodies first.
43:18.0
It's very hard for me to write lyrics and then put melody into it.
43:22.0
It has to be the melodies first.
43:24.0
And then, it's the same how I wrote Laman.
43:26.0
I would, you know, randomly, you know, like gibberish.
43:31.0
Like placeholders.
43:32.0
And then I would like, you know,
43:33.0
and then a word would drop that say, hold.
43:36.0
And it would swap to that note.
43:39.0
And I can build a sentence that has hold.
43:42.0
And then I'll make a story out of that.
43:44.0
I'm just like that.
43:45.0
But sometimes, in the beginning, I already have words.
43:49.0
And then I just write them on my notes.
43:51.0
And I'll get back to it.
43:53.0
Lately, I've been able to write a song, like, within 24 hours.
43:58.0
Meaning, in the morning, I'll start it.
44:02.0
I mean, because sometimes…
44:04.0
This is crazy, man.
44:05.0
That's why, you know, melodies are okay.
44:08.0
Because they're in very creative states, both of them.
44:15.0
And I am just in search of people like that all the time.
44:19.0
Like, give it to me.
44:21.0
And, you know, I'll do my thing or whatever.
44:26.0
But then, I would have concepts in my head.
44:30.0
And I would text it to her.
44:33.0
It's like, can you write a song like this and like this and like that?
44:37.0
You know, with lyrics like this and with a style of like this and like that.
44:42.0
And then, you know, in my head, I'd be like, okay, in a week, she'll have something in a week.
44:49.0
Yeah, no deadline.
44:50.0
But in my head, you know, in my head, I'm expecting it in a week.
44:56.0
I'm like literally an hour later.
45:04.0
I'm like, wait a minute.
45:09.0
This is the whole thing.
45:10.0
And then, I'd read it.
45:11.0
And then, she would send a copy of her with the acoustic guitar singing the thing already.
45:20.0
I'm like, holy shit.
45:23.0
And she did it three times.
45:25.0
So, it's like, okay, she's on a roll.
45:28.0
So, I keep telling her, it's like, just keep writing.
45:33.0
Tagalog or English.
45:34.0
Whatever comes out, that comes out.
45:36.0
And then, we'll just separate whatever, you know?
45:38.0
Organize it the way it's supposed to be on albums or whatever.
45:42.0
But when a songwriter, an artist is on a roll, is being, like we were talking about being transmitters and all of that.
45:52.0
You know, you take advantage of that because that's not forever.
45:59.0
Dun sa part naman na, okay.
46:03.0
Siya ang unang frontman mo na.
46:06.0
Can I use the bathroom?
46:10.0
We'll go on a break and then we'll be back with the melodies.
46:14.0
Matutugin mo muna yung laman.
46:22.0
Before he comes up with a big question.
46:24.0
It's a forty-five though.
46:26.0
Forty-five minutes.
46:27.0
Everybody drink water.
46:28.0
I'll still record pa rin.
46:30.0
Just keep it running.
46:31.0
I'll just get my water.
46:35.0
Forty-five seconds.
46:36.0
Uy, pakulagay mo yung length ng song namin.
46:42.0
We have a QR code.
46:43.0
I'll pass it to you.
46:45.0
I'll pass it to you or to Mike?
46:47.0
To Mike or to me.
46:48.0
It doesn't matter.
46:50.0
Sa thumbnail, lagay natin yung QR code.
46:53.0
Para yung thumbnail pa lang, no?
46:55.0
Sa TV, pwede din lang kami.
46:56.0
Yeah, because we have a picture in the...
47:00.0
Sa thumbnail, di ba?
47:01.0
So, ang gagawin ko, when we start the...
47:03.0
Mike, when we start the video, di ba?
47:07.0
Kasi nilalagay ko talaga yung QR code.
47:10.0
So, if you're watching it on a big screen TV,
47:15.0
And I didn't realize this until I was talking to Mike kanina.
47:18.0
Maganda pala yung timing namin
47:20.0
because Lamant just launched last week.
47:23.0
So, this is a good thing.
47:24.0
Hindi, ito, i-edit ko kaagad.
47:25.0
Tapos, tapos natin to.
47:28.0
Full-time job ko na to.
47:30.0
Although, we'll need the QR code.
47:36.0
Thank you pa ako, ah.
47:39.0
Thank you sa inyo.
47:42.0
Thank you sa inyo.
47:45.0
Sobrang, sobrang wow.
47:51.0
Can I use the bathtub?
47:52.0
Oh, you really need to use the bathtub?
47:57.0
Ayaw, ganda rin ako pa rin.
47:59.0
And then, mami, I just press the FTV again, right?
48:10.0
And then, just put a note sa, sa ano.
48:15.0
Oh, when we resume.
48:18.0
I got a message from your team.
48:51.0
Napuputol ka sa ano.
48:53.0
Napuputol ka sa screen.
49:04.0
But you heard the recorded version, right?
49:06.0
Kasi baka yung demo na pinakinggam mo.
49:15.0
Hindi na ba si J.J. wala pa?
49:27.0
Hindi, dapat naka-ano.
49:40.0
Hindi ka ginigin.
49:48.0
You wanna move this white wire that's been there this whole time?
49:58.0
I was looking at the screen and I was like, yikes, that's gonna be annoying.
50:02.0
I'm gonna comment on that all day.
50:04.0
Look at that white wire.
50:06.0
And the podcast will resume in 5, 4, 3, 2, 1.
50:11.0
And we are back with The Melodies.
50:15.0
So, hopefully nakita nila yun.
50:17.0
Hopefully, clinic niyo yung QR code nung nag-commercial break kami
50:20.0
para napakinggan niyo yung kanta.
50:23.0
But, okay tama, di ba alam yung QR code habang nag-PP ka?
50:28.0
I still didn't know about it.
50:30.0
I texted you about that yesterday.
50:32.0
Okay, bago ka nag-commercial break, gusto ko tanong yan.
50:37.0
Siya ba unang singer na babae that you've worked with?
50:41.0
Oh yeah, for sure.
50:45.0
Sorry, I thought you were gonna ask me.
50:53.0
Might as well ask him.
50:55.0
How about you, Robin?
50:57.0
I've worked with a lot of singers.
50:59.0
How about you, Robin?
51:03.0
I've worked with women.
51:12.0
So, Melody Basti.
51:23.0
O nga, si Ryan, no?
51:24.0
You remember Ryan?
51:26.0
How does Melody stand out?
51:30.0
Of course, naman.
51:31.0
I mean, from before pa naman, Sugar Hiccup, everyone knows who she is.
51:35.0
Pero still, dahil sa paglalagay mo ng kulay, tinanggal mo rin siya sa comfort zone niya sa style mo.
51:43.0
Yeah, yeah, yeah.
51:45.0
O siya muna, tapos ikaw.
51:46.0
Actually, the other day, I texted her, I want to challenge you.
51:52.0
I want to challenge you to write a song with these Wolfgang rhythms, beats.
52:01.0
So, I gave her mga obscure songs ng Wolfgang that I like, my personal favorites.
52:08.0
So, it's like, you listen to that, and then you see where I'm coming from, what I can do.
52:14.0
If it does anything. Kung wala, wala.
52:18.0
Hindi ka naman may pressure.
52:19.0
No, no, no, not at all.
52:21.0
I'm just interested in what, if anything comes out of it, that's what I'm interested in.
52:29.0
And that's the dynamic of this band right now.
52:32.0
It's like, this is what I can give you.
52:35.0
I don't write songs on a guitar, but here, this is my style.
52:39.0
These are the unpopular songs of Wolfgang, but my favorite songs of Wolfgang.
52:44.0
So, listen to what I, how I express myself.
52:48.0
Ikaw naman, pag gumaganon si Wolf, anong dating sa'yo?
52:53.0
Napapabuntong hindi nga ka ba, okay, roll up my sleeves, let's go.
52:56.0
No, I don't think so. He asked me one song, a theme, type of a song.
53:02.0
Pwede siya naggawa ako, hindi ko nga akala. Binatok ko sa kanya the next day.
53:06.0
Ang napapansin ko naman sa inyo, pag nagbabatuha kayo ng kanta, confident kayo na pag dumating tong si Robin.
53:12.0
Lalag-e-embellish.
53:13.0
That's why he's not even included on the threads of the messages.
53:16.0
That's why it's like...
53:19.0
No, he's just gonna show up and then don't pay.
53:22.0
On our part, it's also on our part na we don't tell him because we take it for granted.
53:26.0
But in our hearts, it's automatic.
53:29.0
We know that he's gonna put something on there that's gonna compliment it.
53:32.0
Yeah, it's not gonna be a problem.
53:34.0
Like ginamit namin si Robin nung nandito si...
53:37.0
We're already imagining him as, you know...
53:40.0
Ang problema sa kanya, kay Robin, nung nandito si Geneva para mag-live,
53:45.0
we played K-Land twice.
53:47.0
One, yung performance. The other one was the safety.
53:52.0
Parehong iba yung pagtutog niya.
53:55.0
So ang naging problema, alin Robin track ang gagamitin dun sa...
54:00.0
Ikaw naman, is it a curse or is it an asset na ganun ka mag-guitara na nakakalimutan mo?
54:10.0
Well, there's so many ways I can answer it.
54:12.0
I'm just trying to find the more PG answer.
54:20.0
The correct answer is, it's like sex.
54:23.0
It feels good every time, but it's different every time you get there.
54:31.0
What's the PG-13?
54:32.0
Hindi, pero so para laman.
54:36.0
So, when you really listen to laman, or listen to any of my tracks,
54:39.0
we'll do it laman because I heard all the tracks.
54:42.0
They're all there.
54:44.0
You just have to focus on one of them.
54:46.0
And here's like six things.
54:48.0
But that's also how I record.
54:51.0
I told him, he was like, let's do the solo first because that will take forever for me.
54:57.0
I always have different ideas.
54:59.0
There's some things that I like and then I forget about it.
55:01.0
Is it hard for you to commit?
55:05.0
Yeah, that's why I wanted to be present when he did guitar solos.
55:09.0
It's also why I didn't want to do it with him.
55:12.0
It's like, no, you can't do that.
55:13.0
It's like, or it's not enough.
55:15.0
I needed to guide him.
55:16.0
Because if no one's there to guide me, I'll make 100 tracks on one thing.
55:21.0
And then he would not know which one to.
55:23.0
And then the guy would be like, that's a lot of tracks.
55:25.0
The one I liked was 77, he picked two.
55:27.0
You know what I mean?
55:29.0
But on the other hand, he is good at the magic stuff.
55:36.0
And there is the more variety of magic stuff he gives us, the better.
55:44.0
Because it's a variety.
55:46.0
Solo, it's just a variation of the same thing, right?
55:50.0
But if it's like the magic stuff, and then he has five different tracks of different things,
55:56.0
you have, you know, there's just more paint to work with on a painting, you know?
56:01.0
Or to not work with all of them, maybe just one.
56:06.0
So, it's a very interesting process.
56:10.0
Speaking of process, disagreements.
56:12.0
How do you deal with that?
56:14.0
I had a joke answer, I won't say it.
56:19.0
We've had some, not really disagreements, I think it's just...
56:24.0
How do we say this?
56:26.0
Type it, he won't type it.
56:29.0
It's never, I don't like that.
56:31.0
Can you try this?
56:36.0
Example, I sent him a song in Tagalog last week.
56:40.0
I just wrote it within a day.
56:44.0
I just asked him, what do you think of this?
56:47.0
Then he said, oh, he has a comment.
56:50.0
Oh yeah, I had comments.
56:53.0
Was that favorable to the song?
56:56.0
And then it was like, okay, here we go, we gotta do this, we're in a band.
57:00.0
You know, you have to.
57:01.0
Wait, wait, wait, expound on that.
57:04.0
Because there are other bands that glaze over it because they don't want to offend the band member.
57:11.0
And I'm sure he was very careful with his text that day.
57:16.0
Because being seasoned, you know, this is the territory, this is the part of being part of a band
57:23.0
that you have to be careful because it could make or break a relationship in the band.
57:28.0
Yeah, and you have to be clear with what you want.
57:32.0
That's more it than not offending the person.
57:36.0
It's like you want to, for me, in the smallest, in the least amount of text possible to send each other,
57:44.0
I want to make my point across.
57:47.0
Being real with no offense included, but this is what I think of it again.
57:54.0
So, how? You sent him a song?
57:56.0
Yeah, I sent him a song.
57:57.0
Excitedly, correct?
57:58.0
Well, I'm excited because it's another Tagalog song.
58:00.0
Of course, he's your baby.
58:01.0
But the thing is, I appreciated his comments.
58:04.0
Wait, let's talk about this first.
58:06.0
Wait, don't say that to me.
58:08.0
Okay, so he arrived.
58:11.0
Well, I had come...
58:12.0
No, you listened to it first, right?
58:14.0
Yeah, yeah, yeah.
58:15.0
And then I was like...
58:17.0
It was just to maybe change the beat of what she was playing on guitar.
58:25.0
Because I was hearing something different from what she was hearing.
58:29.0
So, I don't even remember anymore.
58:34.0
She'll remember more because...
58:37.0
Yeah, she's receiving end of my criticism.
58:40.0
Sorry, it's in her inbox.
58:41.0
It's nothing negative, you know, it's just how I felt about it.
58:46.0
Because I don't want to...
58:48.0
It's like, in every band that I had, I was in, it's like every song was precious.
58:56.0
You can't just...
58:58.0
You can't just...
58:59.0
You can't just...
59:00.0
Yeah, it's like, let's make use of this, man.
59:02.0
And let's not beat around the bush.
59:06.0
If it's not working, on to the next song.
59:11.0
It's like, if it's not working, and it's happened many, many times before with Wolfgang,
59:16.0
it's just one song that doesn't really work.
59:19.0
No matter what we do, nothing's happening.
59:22.0
We're like, okay, let's let that go.
59:24.0
And then, so, yeah.
59:29.0
So, the next more send.
59:33.0
You'll receive it.
59:34.0
My text tone isn't like that.
59:37.0
Wolf has texted you.
59:40.0
I'm just kidding.
59:41.0
Okay, so what did you receive?
59:42.0
Were you expecting something?
59:44.0
No, I wasn't expecting any approval, but more of like a feedback.
59:51.0
So, you're ready for any feedback?
59:54.0
And then, when I saw that, I'm like, okay.
59:55.0
I said, okay, yeah, that's fine.
59:57.0
But then, I kept the song.
59:58.0
This episode is brought to you by ABBA E-Services.
60:02.0
Because his suggestion was, you know, maybe we could change the beat.
60:06.0
It's not necessarily a tapon, but then again, we can try it.
60:10.0
And if it doesn't work, I have a Tagalog song.
60:14.0
You know, ready for whenever, whatever.
60:16.0
Maybe a year or two, we can get back to it, you know, if we're still a band.
60:23.0
Are you stoic in being...
60:25.0
Are you a pragmatist?
60:26.0
Well, not really.
60:27.0
I'm just saying, I'm going to die tomorrow.
60:29.0
Don't be like that.
60:30.0
You know, this year, we don't have any band members, right?
60:34.0
No, no, and that happened with Sugar Hiccup.
60:37.0
I'm just going to tell his story.
60:39.0
We had a song we wrote for the first album.
60:42.0
It did not pass the first album.
60:44.0
We tried to rewrite it for the second album.
60:47.0
It did not work for the second album.
60:50.0
And only to find out, in 2020, we released the single, this specific song.
60:56.0
In 2020, during pandemic, when we rearranged it, and then it came out with a video.
61:01.0
So, we're talking about a song that...
61:05.0
Yeah, decades old.
61:06.0
And then the third time was a charm.
61:09.0
So, there's really a timing.
61:12.0
It's timing, it's, you know, the energy that you're surrounded with.
61:17.0
Like what happened, it's like that.
61:19.0
And if she doesn't like what I said, then she doesn't have to...
61:24.0
We don't have to work on it, you know?
61:25.0
There's no peacock's heart, man.
61:29.0
Oh, are you the peacock's heart?
61:31.0
Do you get offended?
61:32.0
Do you get offended when people criticize your songs?
61:34.0
Do you know what peacock's heart means?
61:36.0
Like your soft heart, your softy.
61:40.0
Yeah, I don't think Rob's like that.
61:43.0
He just says it's ugly.
61:44.0
Even if you liked it, I'll forget about it.
61:47.0
It's like it doesn't matter.
61:48.0
It's not important.
61:50.0
But it's just, you know, if you don't like it, you don't have to...
61:54.0
I'm not in love with all my licks.
61:56.0
You know what I mean?
61:57.0
For me, because my rule is when I sing, especially a chorus,
62:02.0
I'll come up with the chorus, even if it's just the melody,
62:06.0
and then after I sing it over and over again,
62:09.0
same with a lick.
62:10.0
You just hum it, just whatever.
62:12.0
Do it as long as you want, and then stop.
62:15.0
Don't do it for 24 hours.
62:17.0
Do whatever you want.
62:18.0
Work, gym, I don't care.
62:22.0
Don't talk about music.
62:23.0
Don't even think about the lick.
62:25.0
If I can recall it after 24 hours,
62:27.0
then it's worth building.
62:29.0
Yeah, especially from someone like you.
62:31.0
Especially if it's a chorus.
62:33.0
That's why I like to...
62:34.0
Who keeps forgetting stuff.
62:35.0
Yeah, but if I remember it, then that means I was able to sing it.
62:38.0
Which means you'll remember it if it had words and stuff.
62:41.0
So that's my little rule.
62:42.0
And that's why if you don't like the idea,
62:45.0
I'll be like, okay, great.
62:47.0
Let me find another one.
62:49.0
It also challenges me to be like,
62:51.0
well, what do you like?
62:53.0
Because I try to find out what you like.
62:55.0
So that's also another way to do it.
62:58.0
Yeah, and it's an advantage when you have prolific songwriters.
63:02.0
Because, okay, you don't like that?
63:05.0
Maybe you like this one.
63:06.0
Oh, you don't like that?
63:07.0
Well, I got this one too.
63:08.0
That's how we started.
63:10.0
She had ten of those.
63:14.0
This one's called Laman.
63:16.0
This one's called Lidlang.
63:18.0
This one's Unbecoming.
63:19.0
So you guys spoke before we all met that day?
63:24.0
Those are all the songs you had since?
63:30.0
So when we met, we already had those, I guess, five songs or six songs.
63:35.0
Yeah, five or six.
63:36.0
Yeah, five or six.
63:37.0
And then I just started introducing the other ones that I wrote later on.
63:42.0
So when you see that these songs are coming to life,
63:50.0
You know, Paco, like I said earlier,
63:53.0
if not for these guys, if not for this collaboration,
63:56.0
the songs will just be buried in my thoughts.
63:58.0
That's it, right?
64:00.0
Otherwise, I could record.
64:02.0
My plan was, if I was not collaborating with anybody,
64:05.0
was to record it as an acoustic.
64:08.0
I was going to come up with an unplugged or acoustic album.
64:12.0
It's just me and the acoustic songs.
64:16.0
You know, whatever.
64:17.0
And plain, right?
64:18.0
So i-upload ko sa Spotify, YouTube, that's it.
64:22.0
But with these guys and this collaboration,
64:25.0
it was talagang grabe yung nabuhay yung songs.
64:33.0
And it has all songs or each song has their own persona
64:38.0
because of how they painted and how they wrote their music into it.
64:44.0
And I could not ever in my mind would imagine that that would be the outcome
64:50.0
of this acoustic demo in my song.
64:58.0
So, I'm so overwhelmed and very grateful actually with these guys.
65:05.0
Well, I mean, going back to that thing, the back and forth,
65:08.0
the criticisms or whatever.
65:11.0
With whatever, if that last one, if that doesn't work out,
65:16.0
there were three before that that were amazing that I already can tell.
65:24.0
It's like when we record these three songs, it's like it's going to be,
65:27.0
I mean, it's going to be another level for us.
65:33.0
You know, of songwriting, arranging, recording, the art of recording
65:40.0
because I know we got spoiled with this studio that we played in.
65:45.0
This is the bar, this is the recording we have now.
65:48.0
We have to sound like this or better, you know, in the future.
65:55.0
Yung live performances, like with this guy.
66:01.0
And another shout out to our live session player, Phil Recto.
66:06.0
Phil Recto on bass.
66:07.0
Oh, what a wonderful, great, kick-ass bass player.
66:11.0
Sobrang pasok na pasok.
66:12.0
Actually, si Phil, kasi I promised to be at your gig, hindi ako nakasipot.
66:18.0
Ang salbahay sakin si Phil.
66:20.0
Phil really, you know, talagang no pun intended, mails me.
66:24.0
Talagang magbe-message privately.
66:26.0
What happened to you, dude?
66:28.0
He's going to call you out.
66:29.0
Oh, gano'n siya sana.
66:30.0
Phil is such a sweetheart.
66:32.0
So yeah, he's doing a good job.
66:34.0
Ito, ito, live playing niyo.
66:37.0
So, do you have to make concessions?
66:40.0
Kasi siya, layo ng bahay niya.
66:43.0
So, what's working right now is that, you know, we would tell him, you know, a future gig.
66:50.0
And then we'll be asking him if he's in town.
66:53.0
And he'll say, no, I'm not.
66:55.0
So then, you know, hindi kami makatutog.
66:58.0
Or we'll probably ask the organizer.
67:00.0
In this case, it was Lak-Lak Fest.
67:02.0
Glenn had two dates.
67:04.0
So, it was the first date, the 22nd, and he was inviting us.
67:07.0
But he won't make it.
67:09.0
But he said he will be here the following week.
67:11.0
So, I texted Glenn and said, hey, can we just play on this date?
67:14.0
Because Rob is going to be here.
67:16.0
And he said, yes.
67:17.0
So, you know, we can make arrangements like that.
67:19.0
And then, like, for example, we have a project that I'm working on next year.
67:26.0
Ngayon palang sinasabi ko na sa kanila, what are your block of dates from this month to this month?
67:31.0
Talaga logistics pala.
67:32.0
Communication about logistics is very important.
67:35.0
Because, you know, I have to commit to that event organizer.
67:39.0
And if I say, yes, I have to let these guys know this is the tentative play date or month or whatever.
67:47.0
You gotta let me know now.
67:48.0
And next year pa yun.
67:49.0
So, syempre we have a lot of time to prepare for that.
67:52.0
Ito naman, yung Lak-Lak Fest.
67:54.0
Binanggit mo yung Lak-Lak Fest.
67:56.0
Ito yung first Lak-Lak Fest ng The Melodies?
68:02.0
It was fun because we had a lot of our tribe was there.
68:05.0
So, and we had support from the other bands.
68:10.0
You know, everyone was friendly with one another, giving each other support, you know.
68:15.0
So, the vibe was good.
68:17.0
Glenn looks like he's a member of ZZ Top now.
68:22.0
I didn't recognize him.
68:24.0
I was like, who's this Glenn?
68:29.0
But yeah, everyone was into it.
68:33.0
Everyone was good vibes and we played really well.
68:36.0
Yeah, it was a great show.
68:37.0
And you know, to play these songs live is really, it's something else.
68:42.0
It's fun, you know.
68:45.0
So, we just, man, if you could just hear the other songs already, my God.
68:51.0
When are we going to hear the whole album?
68:55.0
Is it out, the whole album?
68:56.0
No, no, no, early spring next year.
68:59.0
Our second song, single, is going to come out after the holidays.
69:03.0
It's running. You've heard running before.
69:04.0
So, that's going to be our second single.
69:06.0
We're targeting maybe sometime January, late January.
69:10.0
Who plans this? Kayo Reb?
69:11.0
Well, we're working with Lily Stars on this.
69:15.0
The label right now is giving us hard deadlines.
69:18.0
Like, Clem is very good on that.
69:21.0
Let's talk about hard deadlines.
69:23.0
Grabe. Sabi ko nga, sabi ko sa group text.
69:26.0
It's like we're back in college, man.
69:29.0
So much assignment. Andami homework pa.
69:32.0
Pero, I mean, that's what you gotta do.
69:34.0
It's really the basics of everything that you gotta do if you're seriously doing it.
69:41.0
Yun yung keyword, eh. If you are seriously doing this.
69:46.0
And the thing is, in return, Lily Stars are also serious.
69:51.0
And you see it the way they present us, the way they have the QR code for us.
69:56.0
Everything. The whole shebang.
69:58.0
Like a professional band.
70:00.0
But what you see on the Instagram of a pro band, we have it because of Lily Stars.
70:08.0
So, it's a good collaboration.
70:10.0
Sa mga startup bands, kasi tayo ipaka-old school.
70:17.0
Naka-album tayo, tayong apat.
70:21.0
May mga ibang artists dyan, ang route na ginawa nila is the whole indie thing.
70:26.0
Singles, walang album. Diretso.
70:29.0
Yeah, but then again, tayong apat nag-start tayo ng albums, eh.
70:34.0
Sa mga bagong artists, whether solo or bands,
70:40.0
na ang mentality nila is, I need to be on a label.
70:47.0
Is it still relevant?
70:49.0
You want to answer that?
70:51.0
Yeah, because you're in that state right now.
70:55.0
Apparently I have a label.
70:57.0
And it's with you guys.
70:59.0
Well, it's a good question because I have nothing bad to say about Lily Star.
71:10.0
I've been saying really great things about them.
71:13.0
They're good labels. They're great labels.
71:15.0
I'm not even going to say the word label.
71:17.0
I'm just going to say that people pick favorites.
71:19.0
People want to go with someone that works as compared to something new.
71:26.0
You know what I mean?
71:27.0
So like, as just me, Nivera or Robin Nivera,
71:31.0
it's difficult because I try very hard to not sound like anybody.
71:38.0
I try to make the music as vibey as I can.
71:43.0
But I still, if you tell me it sounds like John Mayer or Ben & Ben or something,
71:48.0
I'll be like, okay, then I'm going to change 90% of it now.
71:52.0
Yeah, because I want it to sound like me.
71:54.0
Why would other people—
71:56.0
Why would what people say affect you?
71:59.0
Oh, good question.
72:00.0
They wouldn't say anything because everybody has nice things to say.
72:03.0
You're talented. I've never heard anything like this.
72:06.0
This is my favorite. It sounds so international.
72:09.0
That's my favorite. That was the name of my next album.
72:12.0
So International.
72:14.0
It sounds so international.
72:16.0
That's my favorite, Manila.
72:18.0
All the labels back home. That's my favorite thing to say.
72:21.0
It's too international.
72:23.0
But you won't push the song. You won't push it.
72:26.0
It's like, we'll have it out. It's easy to get a song out.
72:29.0
But it's to get people to listen to it, you know what I mean?
72:32.0
And then I'm the wrong Nivera.
72:36.0
Of course it's not true.
72:37.0
You're the different Nivera.
72:39.0
But when you type down Nivera or Robin Nivera,
72:42.0
no matter how many times I tell you what my song is,
72:44.0
you'll forget about it because there's a gajillion songs
72:47.0
before you get to my brand new zero hits.
72:51.0
To be honest, I'm fighting against millions of viewers
72:54.0
and algorithms just so you can find me.
72:57.0
So it's tricky at that part.
73:00.0
I have no problem with the melodies. I'm with them.
73:03.0
You know, they have their followings
73:05.0
and the people that follow Sugar Hiccup and Wolfgang
73:07.0
and all that, they're personal fans.
73:09.0
My fans are titos and titas, dude.
73:13.0
You mentioned that to me.
73:15.0
If I brought the melodies into a producer friend of my mom and dad's,
73:20.0
that would be the weirdest gig.
73:22.0
That will be the weirdest gig.
73:23.0
During our gig, our set,
73:25.0
I was telling them in Noipits.
73:28.0
This is hilarious and this has never happened to me before.
73:31.0
There's a birthday party in the corner of Noipits,
73:33.0
which is fine, right?
73:35.0
We're playing loud music.
73:36.0
If you've ever heard Laman, you hear this a bit.
73:40.0
It's very, you have a drink in your hand, you know, dance.
73:43.0
This tita comes to me with her birthday hat.
73:48.0
It's her tiara, yes.
73:49.0
She comes to me with a camera guy.
73:52.0
She's the center.
73:54.0
All the pictures, I'm very far.
73:56.0
I'm very far away.
73:57.0
I had my own little area on that stage.
74:00.0
She went to me and she's trying to get my attention.
74:03.0
I'm playing, dude.
74:04.0
She's trying to get my attention like this.
74:06.0
She finally gets it.
74:07.0
She goes, smile, huh?
74:09.0
Then she turns around, takes a picture of me while I'm freaking
74:12.0
in the middle of a guitar solo.
74:14.0
I was like, this is why it's so hard.
74:17.0
But at least you have fans.
74:19.0
That's not my fans.
74:20.0
She didn't know which Jimbara I was.
74:22.0
For sure she was going, Ram, Ram, Ram.
74:25.0
You know what I mean?
74:26.0
People do that outside.
74:28.0
I could hear the girl in the back.
74:30.0
She goes, I know that.
74:35.0
And then she gets the courage to go, Ram.
74:40.0
And then I go, oh, I really like that.
74:44.0
This is it, this is it.
74:45.0
And then her friend goes, I think that's Robert.
74:48.0
She goes, ah, yeah, I know you.
74:56.0
I love it all the time.
74:58.0
But you know, he's that rock star too.
75:00.0
Kasi we come in at Noy Pits and I hear these people,
75:03.0
oy, anak niya, that's the Rivera, ganyan yung ganyan.
75:09.0
At saka shredder to.
75:11.0
Magaling mag-guitara to.
75:14.0
The way Robin plays guitar is.
75:17.0
He's so international.
75:23.0
Very good, very good.
75:24.0
That's my next shirt.
75:26.0
Oh my God, I'm so making that shirt.
75:28.0
What's good about it is I have some people,
75:32.0
they comment on Facebook, whatever,
75:35.0
when they realize who he is and where he's from.
75:38.0
I like the article, by the way.
75:40.0
It says, and Rivera in brackets.
75:43.0
That's what he wants to be called now.
75:49.0
I was like, oh wow.
75:50.0
And it has all their credentials,
75:52.0
former singer, a former drummer of,
75:54.0
and that's what he wants to be known as now.
76:00.0
Hindi mo lang binagit na VJ ka ng Wish,
76:03.0
maka ganon-ganon?
76:04.0
I don't put that on my resume anymore.
76:07.0
I mean, I love those people,
76:08.0
but none of those jobs, Mix or Wish,
76:12.0
none of them helped with my singing or my playing.
76:16.0
I had the best platform.
76:18.0
When I was with Mix,
76:20.0
people wanted to be my friend because
76:22.0
you wanted to come out on Daily Top Ten.
76:24.0
Then on Wish, obviously,
76:25.0
everyone wanted to come with a bus.
76:27.0
But I was, I don't know.
76:29.0
I mean, aside from when we shot,
76:32.0
we shot ka sa Laman and Run,
76:35.0
and we shot it on Wish, like, what, a week ago.
76:38.0
And I was like, you know what, I have a song out too.
76:41.0
I might as well sing my shot on Wish too.
76:44.0
So this is my first time,
76:46.0
maybe Blue Jean Junkies.
76:48.0
I have one with him.
76:51.0
I don't really have a Nirvera track on Wish.
76:55.0
And I was there every day, every single day.
76:58.0
Pero kasi this is your best platform.
77:03.0
But, I mean, remember,
77:04.0
this is not about getting Nirvera out there.
77:07.0
I just want to play.
77:09.0
Pero maganda sa akin yung reluctancy niya.
77:11.0
Like, this is not about getting Nirvera out there.
77:14.0
Oh, I'm not sure if I'm really going to be
77:16.0
the permanent guitar player for this band
77:18.0
because it's Melody's band.
77:19.0
Oh, blah, blah, blah, blah, blah.
77:20.0
Lahat ng reluctancy mo, ano eh.
77:23.0
Bullshit lahat because you're still here.
77:27.0
Nakikilala ka, di ba?
77:29.0
You're as committed as...
77:32.0
That's, you know, that has to be,
77:34.0
for any musician out there.
77:35.0
Feeling ko makikilala siya as Nirvera dito sa Melody's.
77:38.0
It's very hard to form a band, man.
77:41.0
It's hard. It's so hard.
77:42.0
I mean, when we first started,
77:44.0
when we first started,
77:46.0
we don't really know the direction where the band is going.
77:51.0
We know we have songs.
77:52.0
We've been honing them.
77:54.0
But then, really, it was Angelo.
77:56.0
Just like how Clem gave us direction,
77:59.0
how to push to release the songs and all that.
78:03.0
Angelo gave us the direction.
78:05.0
Record na yan. Record na yan.
78:07.0
And then I have the studio.
78:08.0
Get on the studio. Di ba?
78:10.0
So okay, that's where we're gonna go.
78:12.0
And then we just pushed ourselves to honing the songs.
78:16.0
And then maybe write more songs.
78:18.0
Kasi pag may live shows,
78:19.0
di ba, hindi man pwedeng lima lang yung tugtogin natin.
78:22.0
Yeah, this band exists right now.
78:27.0
I would say 90% because of the help of other people.
78:31.0
From the kindness of other people.
78:33.0
That's why this band exists.
78:36.0
10% is us shelling out our money,
78:38.0
our time, effort, whatever.
78:40.0
But 90% it's other people who have said,
78:43.0
You guys have something here.
78:45.0
I have access to something.
78:47.0
I'll help you out.
78:49.0
So for Filipinos, it's like that saying,
78:53.0
Sa Diyos ang awa, sa taong gawa.
78:56.0
So to me, when stuff like that happens,
78:58.0
that's the Diyos may awa, yung Diyos.
79:00.0
Now it's your turn.
79:02.0
You gotta do something.
79:03.0
I mean, Angelo has this studio.
79:05.0
What are we gonna do?
79:06.0
We're gonna record all of these songs.
79:09.0
We're gonna find a way how we're gonna do it.
79:12.0
So it's like, especially now,
79:15.0
na we have all this experience from our past, whatever,
79:20.0
you don't want to take it for granted anymore.
79:25.0
So it's like every song that is workable,
79:31.0
And just to remind you and everybody watching,
79:36.0
although we have a past or a history of our catalogue,
79:44.0
how we came to this point,
79:47.0
we're not really riding on that.
79:49.0
We are a new band.
79:51.0
We're just a startup new band that just happened.
79:55.0
We have songs with all these good people.
79:58.0
Yeah, we are complete strangers.
80:00.0
We're not saying, oh, kasi diba like what Robin is saying,
80:03.0
he's not, oh, I'm Wolf from Wolfgang.
80:06.0
He's Wolf. Whatever.
80:08.0
I'm always smart in hip-hop.
80:12.0
Yeah, that's true.
80:13.0
But yeah, we're a new band.
80:15.0
We just started and we just released a song, a single.
80:19.0
We're still recording for our first album.
80:21.0
We're a new band. We're nobody.
80:25.0
We're struggling, just like any other band out there.
80:27.0
We're just where I was.
80:30.0
We're making the best out of it and having fun because it's fun.
80:36.0
Yeah, it's working.
80:37.0
And we're getting along.
80:39.0
The music that's coming out from each other's creativity is clicking.
80:45.0
And if you notice, we're also from different genres.
80:48.0
Pero ang masaya lang, we have a common ground.
80:52.0
We feel like we're safe.
80:55.0
And then some, like him or like me, I have to get out of my comfort zone sometimes.
81:01.0
Pero si Robin can play whatever.
81:03.0
Pasok mo siya d'yan, A, B or C pocket, D or E.
81:09.0
Kaya we don't have a problem with him.
81:11.0
He's a shapeshifter.
81:12.0
Pero like for me, it's hard for me sometimes to adjust,
81:16.0
even the singing, the way of singing.
81:18.0
This is not how I sing with Sugar Hiccup.
81:20.0
This is not how he plays drums with Wolfgang or whatever.
81:24.0
So this is a new band.
81:26.0
We are just starting as a new band.
81:28.0
And we're nobodies.
81:29.0
We're just here to play.
81:33.0
And before we go, sorry.
81:38.0
Yeah, there's something.
81:39.0
Hold that thought.
81:45.0
I mean, the people who've helped this band are not just people who are friends or whatever,
81:55.0
Because we had a fundraiser, a GoFundMe thing.
82:05.0
You're giving money to a politician.
82:08.0
It's just like that.
82:10.0
That's how politicians get their funding.
82:17.0
So you have to ask for money.
82:19.0
But the fans came out, the people who gave money,
82:23.0
and it pretty much paid for the filming of a live show that we did at The Mint.
82:29.0
We're gonna release that soon.
82:32.0
And then paid for the mixing of this album.
82:39.0
I was in this party the other night and I met this guy.
82:43.0
And we were talking about music.
82:45.0
And then I told him, he goes,
82:49.0
So what are you, man? Are you a musician?
82:53.0
And then I said, my band single is coming out at midnight.
82:57.0
And then he goes, Oh, well, shit, man.
83:00.0
So I gave him Spotify or whatever.
83:04.0
And then we got to talking about music.
83:07.0
And then, I'm losing my thought here.
83:13.0
Your friends and family, their help and all that.
83:18.0
So I told him about that, the fundraiser and all that.
83:22.0
And he said something, he goes,
83:25.0
Shit, man, the tribe really came through for you.
83:32.0
And I go, You're right.
83:38.0
It's all Pinoys who gave to this thing.
83:42.0
The tribe came out to help us.
83:45.0
And so it's up to us to fucking deliver a really good album.
83:53.0
So that people's faith in us won't be in vain.
83:58.0
You know, it's beautiful.
83:59.0
That's why I'm looking.
84:00.0
Because what you have is humility and gratitude.
84:07.0
Very, very grateful.
84:08.0
We are very grateful.
84:11.0
The fact that we're here, that means,
84:14.0
I mean, we're doing this step at a time.
84:17.0
I mean, right now we're just happy and celebrating we have a single out.
84:21.0
It's just fun, right?
84:22.0
I mean, how often would you find out a band who's starting up
84:26.0
and then now the quality of the recording is good
84:29.0
and we're actually in the middle of mixing for a full-length album.
84:33.0
A label who trusted us, even without listening to the songs.
84:40.0
The guy who invited us to record in his studio just because he saw us play four songs.
84:46.0
People who donated.
84:48.0
Thank you, by the way, for those who donated in GoFundMe
84:51.0
and even outside GoFundMe who actually donated more.
84:55.0
That helped us to pay for everything that we're doing right now to release the album.
85:02.0
We're so very grateful.
85:03.0
It's amazing. It's an amazing thing.
85:04.0
And it's an amazing thing to happen during these times where there are so many people.
85:11.0
So we are first-hand experiencing love on a very basic level.
85:18.0
It's like, we believe in you, here's some money, make your album.
85:22.0
Which means the vibe, the energy, it's good to give to others.
85:25.0
Oh my God, it's just positive, man.
85:27.0
It's just like, you know?
85:29.0
So that's why you can hear it in the recording, the music.
85:32.0
Even when Diego mixes it, he can feel the passion in the music.
85:37.0
That's why he's always commenting when we have a group chat,
85:40.0
he's always like, guys, his latest text was like,
85:43.0
you guys have to record in my studio because I want to work with you.
85:47.0
Now he's inviting us to record in his studio.
85:50.0
And we have songs for the next album.
85:52.0
You said that, Diego.
85:57.0
Well, we just got the news, too.
85:59.0
Yeah, dude, we just found out about it.
86:01.0
But I mean, you know, they feel the passion in the recording.
86:08.0
They know, okay, this is the real deal.
86:10.0
These guys are serious.
86:12.0
They're serious musicians.
86:13.0
They know what they're doing.
86:15.0
Their standards are high.
86:18.0
They feel all of that.
86:23.0
Guys, this is the QR code.
86:27.0
And we'll continue while you're listening to Laman.
86:30.0
Don't forget to like, subscribe, and follow The Melodies.
86:45.0
And also share the link of Laman for the people.
86:50.0
Let's all spread this love.
86:51.0
Let's all spread this song.
86:53.0
And let's build a community together.
86:55.0
Thank you, Pablo.
