Naisip na nga ba ni Romnick Sarmenta na talikuran ang mundo ng showbiz? Panoorin ang kwento tungkol sa kanyang karera bilang isang artista kasabay ang sakripisyo niya bilang isang ama dito sa #LuisListens. Watch now!!! 😂😂😂 #RomnickSarmenta #LuckyTV #LuisManzano Welcome to my YouTube channel! Nalulungkot ka ba? May pinagdadaanan? Masama ang loob? Brokenhearted? 🤔 Tama ka ng pinuntahan na channel, dahil dito tatawa ka nang tatawa. 😂 Kilala niyo naman ako! Kulitan at tawanan lang. Life is too short not to laugh. Kaya bawal ang nega. Alisin natin ‘yan sa mga katawan niyo. 👊🏻 And when you’re done watching my vlog, post your comments. Gusto ko marinig feedback niyo guys. 👌🏻 Sabay-sabay tayo tumawa at maging masaya! - LUCKY Subscribe to my Official Channel! https://www.youtube.com/luckymanzano Follow my Official Accounts! INSTAGRAM: http://instagram.com/luckymanzano TIKTOK: https://www.tiktok.com/@luckymanzano FACEBOOK: http://www.facebook.com/luismanzanoofficial INQUIRIES: lu

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Was there ever a time na gusto mo nang talikuran talaga ang industriya?

I did several times.

Malalaki na yung anak ko tapos parang hindi ko sila kailanan.

It's the only thing I really know how to do.

Just to be honest, di ba, kung hindi ko ito ginagawa, anong ginagawa ko?

Luis License

Hello, hello, hello!

Hi guys! Welcome to Luis License.

Kasama ko ngayon, Idol Toys.

Palagi natin sinasabi, o ginagawang biro, yung bata pa lang napapanood na natin siya.

Pero eto, legit, na bata pa lang nakasama na natin ito.

At talaga naman napakarami ng ginawa.

Special to sa Luis License, walang iba ang bisita natin.

Kuya Romnick, Sir Menta.

It's a pleasure to be here.

Maraming maraming salamat. Nice to see you again.

So eto, tanong ko sayo, how does it feel na nandito ka sa pinakatrending show ng internet?

There was one time, may napanood akong ano eh.

Hindi ko alam kung dito yun. You were reacting to comments before.

I think yung wedding comments. That was my very first vlog.

I enjoyed it immensely.

Sabi ko, this guy, he's naturally funny. He's very honest.

And he doesn't care. He doesn't care about the negative things that people would have to say.

And I appreciate that in a person.

Hindi naman natin matatanggal ang negativity sa mundo.

Oo eh. Kasama yun eh.

And you know, nandito tayo sa isang industriya na kalahati ng negative comments about you is born of ingat.

The other half is born of ignorance.

And siguro, baka may third part na wala na silang magawa.

Wala na silang magawa.

Nag-enjoy lang sila.

Sabi nila, sabi sa Batman, some people just want to watch the world go round.

Nothing more, nothing less. Gusto lang nilang mangasam ng tao.

Mangbaba ng tao.

So eto before, sabi ko nga when you were acting a while back,

hindi pa usi mga bashing-bashing. Parang mga gano'n dati.

Meron din kami yung, tawag naman sa kanila dati, yung hecklers.

Yung either sa loob ng sinehan during a premiere or when you're doing a stage performance, a stage play,

may madidinig ka pa rin.

Two things e. Parang, papatulan ko ba?

Tapos pag inisip mo kung papatulan mo ba, does it really matter to you?

I mean, why does it hurt you?

What does it do to you?

Na-insulto ka ba?

Na-personal ka ba?

And a lot of times, pag naisip mong nasaling lang naman yung ego or pride mo,

then it's not worth it.

Pabalikan ko lang nga, nung time ni Mommy at si Ati Guy,

yun hindi hecklers yun. Sakitan talaga yun.

Iba yung fans nun.

Before. Kasi syempre, they didn't have an outfit e.

So, totoo po ito.

Panagkakasalubong dati ang Vilmanians at Noranians, sakitan talaga yan.

Rambol.

Literal. Rambol talaga yan.

Si Tita Angge, who became my manager for a time, she would tell stories.

Dun sa may Broadway centrum, nagsasabunutan sila, gumugulong sila sa lupa.

Ganun talala. Punit ang mga damit.

Wala mga hashtag trending yung time na yun. Salpukan talaga sila.

Yung emosyon nila, hindi na mailabas.

Ngayon, parang malalagpasin mo na lang.

Kasi yun na nga lang ang outlet nila.

And especially the last three years, parang lahat sakal dahil sa pandemya,

hindi makalabas, walang magawa.

So, yung unease nila, kailangan nilang ilabas sa ibang paraan.

And sa internet, you're faceless.

You're basically, truly anonymous.

Diba?

Tama, siguro. The anonymity brings out the tough guy in people.

But it's actually the coward.

Sabi mong balikan natin yung Hectors.

Nai-imagine ko dati yung mga Hectors sa mga old school variety show.

Nai-imagine ko yun.

Pero sa theater, meron din?

Meron.

And a lot of times, the actors are safe because the directors or the staff people

will go to this person.

Tapos sasabihin, nung bas na kayo.

Pero medyo napaprotektahan din naman kami.

Naalala ko dati yun.

Meron ako dati hosting na ginawa sa QC.

I was hosting.

I was doing my best.

Tapos meron sa likod.

Wala kang talent.

Mga ganun.

Wala kang talent.

Wala ka dapat sa stage na yan.

Siyempre naman, bad trip ka.

Nag-hosting ka, diba?

O, o.

Tapos sabi niya, wala ka.

Wala kang puwang sa industriya.

Mga ganun talaga.

Tapos, palabasin niya yung mami ko.

Mami ko, paano?

Mami ko, paano?

Mami ko, paano?

Mga ganun talaga.

Tapos, palabasin niya yung mami ko.

Mami ko, paano?

Sigaw ng sigaw sa akin.

Hindi, kasama yun eh.

Unfortunately,

but it's part of the industry.

Yeah.

So, eto sa iyong,

you've been in the industry for how long na rin?

46 years.

46 years.

So, eto tanong ko,

paano mo nakita yung change sa industry?

Nandyan yung working hours.

Yun yung first.

Before.

O, paano?

Paano yung working hours before?

Kasi kung hindi ako nagkakamali,

nung panahon ng gulong ng palad,

studio naman kasi lahat.

Okay.

So, wala kang gagalawin.

May mga set na,

may mga tatlo-apat na bahay na dyan.

Ikot-ikot na lang.

Ikot-ikot na lang camera,

nakaset na yung mga ilaw.

So, our work at that time was,

nakakapag-school ako,

nakakapag-aral ako.

So, once a week lang ang taping namin.

Tapos, tapos namin yung buong episode.

Nine to nine, parang ganun.

Nine in the morning to nine in the evening.

Nakaset?

Nakaset. Tapos na kami.

So, parang okay.

Normal part of life,

hindi pa uso masyado yung puyatan.

Nagsimula yung puyatan siguro,

pubescent, adolescent stage ko.

Mga,

nung awkward age between

eleven to fourteen.

Ganyan.

Pero ang puyatan namin,

hanggang mga three to four.

Yeah.

Pagdating ko ng mga twenties,

umaabot ng alas onsen

ng tanghali,

the next day.

Oo.

Tapos, two to three days

ang taping ng isang episode.

So,

makikita mo yung,

not to say that

one generation is better than the other,

but they have a different set of discipline.

Yung planning,

yung latag.

And also,

because of the demands of storytelling.

Dati kasi,

ang simple.

Ang simple ng pacing,

ang simple ng shots.

Tapos biglang,

ang daming bagong technology.

So, ang daming pwedeng gawin.

So, ang daming pwedeng explore.

So,

tumatagal yung...

Siguro ano din,

para sa akin na,

yung access ng audience.

Access sa opinion ng audience.

Isa pa yan.

Diba?

Kasi ang nangyayari before,

please correct me if I'm wrong,

pag nakagawa na ng show,

ilalatag yung air na yun as it is.

Whether magustuhan ng tao o hindi.

Correct.

Ang nangyayari ngayon is,

pag konwari,

nakakadalawang linggo na yung show,

pag nakita yung feedback on social media,

na hindi nagustuhan,

biglang babaliin.

Oo.

Nagbabago yung takbo.

Kasi,

nakikita yung reaction.

Tapos nakikita nila ano yung,

ano yung subplot na sinusundan.

Tapos hindi.

Diba?

07:02.000 --> 07:03.000

Ito yung ituloy natin.

Tutukan natin ganito.

May ganon.

Tapos, yung shipping.

Diba?

Yeah.

Bigyan nga natin ng...

Tutukan natin.

Oo.

Actually,

ang hindi nyo rin alam sa iba mga teleserye,

minsan,

pag konwari,

nanonood kayo ng isang teleserye,

tapos konwari,

day,

nakikita nyo na,

nagla-launch sila at lahat-lahat.

Paminsan-minsan,

magugulat kayo,

pangalawang araw na pala yun

ng mga artists.

Akala mo na,

kakarating lang nila,

fresh yun,

pero wala pang tulog yung mga artists,

lalong-lalong na,

walang tulog yung mga crew.

Oo.

Oo,

mga ganyan,

diba?

Kung ganun yung nakita mo

naging transition

of how the industry

was

slash is,

papaano naman sa mga artists?

Iba din.

I would always echo

what others would say

about veterans.

Iba yung,

iba yung disiplina,

iba yung pagmamahal

sa trabaho,

yung craft,

iba yung dedication nila.

Iba rin yung tingin nila

sa sarili nila

at yung respeto nila

sa sarili nila

na I think

people should emulate

in a sense,

kasi parang

buong-buo sa kanila

kung sino sila eh.

They don't have to sell out.

They don't have to

compromise.

Kunyari,

let's say,

Charito Solis.

Diba?

Um,

sobra.

Yung kilala siya

sa mga hindi nakakilala

sa kanya,

kilala siya sa terror

paglating sa set.

Pero I've had the pleasure

of working with her

several times.

At dung una,

naiilang din ako

kasi alam ko parang

disiplinarian to,

ganyan-ganyan.

But there was one time,

siguro nakailang

pagsasama na kami

sa pelikula,

there was one time

sabi niya,

gano'n yan eh.

Medyo cold pa nang

kaunti so,

lapit naman ako.

Nakita niya na medyo

impatient ako,

spacing.

I was trying to read

pero gabi na,

wala na.

Tapos sabi niya,

naiinip ka no?

Sabi ko,

medyo po.

Sabi niya,

matanong kita,

ilan taong ka na

nag-i-artista?

Gusto mo ba yung ginagawa mo?

Yung pag-arte,

gusto mo ba talaga yun?

Sabi ko,

opo.

Masasabi mo bang

mahal mo yung ginagawa mo?

Opo.

O.

Eda libre yun.

Ang binabayaran sa'yo

hindi na ako maiinip.

Sabi ko,

gano'n.

It's one of those things.

And somehow,

we connected there.

And she was really,

really sweet

and really friendly.

Tapos makikita mo yung,

she projects herself like that

para hindi magkamali yung iba

na maliitin siya

or baliwalayin siya

or basta sin siya in any way

kasi mataas respeto niya

sa sarili niya.

It starts from there.

And it starts from there.

Isa sa mga nakatrabaho ko naman,

si Miss Gloria Romero.

Ay,

ang sweet no?

Oo.

Isa sa,

talagang nakatrabaho ko,

this was a while back

sa teleseryo na

For You

na sinoot pa namin

ni Miss Toni Gonzaga

sa Barcelona.

Tapos parang tatlong yata

nanood ng buong teleseryo na yun.

Di pa yata sila

sabay nanood.

Oo.

Every time

na nakakatrabaho mo

si Miss Gloria

noong time na yun,

she knew her lines.

Siya pa yung mauuna sa set.

Diba minsan kasi

pag tinawag yung artista,

sabihin na,

uy, punta na sa set.

Baka minsan,

may ginagawa ka pa minsan,

ay, tapusin ko lang to.

Diba, oh, hindi kaya

may naayos ka pa.

Pagdating mo,

nandoon na siya.

Diba yung huling tinawag.

Diba, iba din talaga.

The actors na medyo,

kung baga,

nakatagal na rin sa industriya.

Top 3 lessons na

natutunan mo

sa showbiz

that you can easily apply

to life or as a parent.

Don't take yourself seriously,

but take yourself seriously.

Ganda, diba?

Yung wag mo masyadong

hayaang maapektuhan ka

ng mga mali mo,

pero

matuto ka sa lahat

ng ginagawa mo

to the point na

you can either make it better

or you can approach it differently.

Sa industriyang to,

yun nga,

ang daming pangagalingan

ng mga bagay

na pwedeng makasakit sa'yo.

Either through experience,

through what people say,

or just

wrong choices.

Was there ever a time

na gusto mo ng talikuran

talaga ang industriya?

I did several times.

Yung isa,

nung bata ako,

parang sa'yo,

ayoko na, tigil na ako.

Bata, bata.

Tapos parang,

may nakausap ako,

tapos maganda yung role,

tapos gusto ko yung katrabaw,

like sila,

Mari O'Hara, ganyan.

I was like,

oh, sige.

Kasi mabait yung tao e.

Tapos nag-enjoy ako sa set.

So balik na naman ako.

The other time,

there was something

that was written about my mom

who's no way,

in any way,

a part of show business

na apektohan ako

o gusto kong tumigil.

But she encouraged me

to sabi niya,

ganyan talaga, ganyan, ganyan.

So I went back.

And then the third was

when I was

taking care of my family.

When I was married to Harleen,

sabi ko,

my kids are growing up

and I can't afford

to not be there anymore.

I don't want to

get to the point where

malalaki na yung anak ko

tapos parang

hindi ko sila kilala.

So I wanted to spend

as much time with them

as possible.

And that is a strong pull, ha?

To pull you away

from the industry.

Yung sabi mo,

makasama yung anak.

Before,

hindi lang sabihin.

Pero ngayon,

naiintindihan ko.

Before,

parang,

ah, okay lang yan.

Hayaan mo,

magtrabaho ka,

okay lang yan.

Yung mga bata,

lalakit-lalakit din yan.

And there's two schools, e.

Yung isang school,

isipin mo,

ah, kailangan ko ito

Yes, of course.

And that's understandable.

And that's understandable

and it's respectable.

But the other side of it is

I can provide

all you might need,

pero I will never provide you

with my time.

And that's,

to me,

mas masakit yun.

I would rather provide you

with my time,

sabay nating paghirapan

kung ano yung kailangan mo,

pero hindi ako

mawawala sa to.

Given up.

Yeah.

Diba?

Ano sa,

tinagal mo rin sa industriya,

ano para sa'yo

ang, ah,

the highest point

of your career?

Was it working with someone,

a role,

an award,

or an interaction,

if you will?

To me,

these are all,

ano yun,

to me,

these are all

gifts and blessings.

But I think

the real height for me

of this is

the learnings.

Conversations like this,

interactions with

co-actors,

with production staff,

iba yung nakakalap natin

na experience

sa trabahong to

kumpara sa

kung nagtatrabaho tayo

sa opisina

and we're working

in a different industry.

Iba yung range

of experience

Iba yung range

of exposure

mula sa bata

hanggang sa matanda

na nakakasama mo.

Diba?

Ibang iba yun.

The greatest impact,

I think,

is our opportunity

to inspire

other people.

Hopefully,

the films

or the projects we make

will make them think

enough

para mag-decide sila

ito yung gusto kong

maging as a person.

Ito yung ayaw kong

maging as a person.

Kung yun para sa'yo,

sabi mo nga,

those are the blessings

given sa ginagawa natin.

Paano man yung

most challenging mo?

Someone said something

not so good

about your mom

that made you

close to walking away

sa industriya?

I think that's it.

I'm a very

private person,

actually.

I'm very protective

about my family.

We are,

we may be public figures

but we are not

public property.

Yung pwede ka maging showbiz

na hindi rin showbiz.

Toto.

Diba?

At the same time.

Okay, so yung movie natin,

hindi ako kasama

sa movie na yan.

About us,

but not about us.

Kamusta naman ito?

Itong movie na ito

compared to

How was the challenge

for you?

And how was it

when you were done

with this film?

One, the storytelling

is very different.

Two people,

one location.

It's almost like

a stage play.

Parang stage play

yung setting niya.

Technically,

it's difficult

pag inisip mo

kasi parang

magsusurvive ba ako

ng one and a half hours

na nanonood

ng dalawang taong

naguusap lang.

Naguusap lang.

Diba?

Sanay tayo

sa pokpokan,

sanay tayo

sa big scenes.

May drama,

may ganito.

But I read the script.

The script was

so well written.

And then I was told

it's a personal experience.

So parang sabi ko,

if someone shares

with you

their story

in this way,

you can't help

but put yourself

in there.

Diba?

The best way

to respond to someone

sharing with you

a painful story

is to be present.

And I wanted

to do the film.

So we did our first reading.

Pero during the reading,

I could feel na,

oye, may lumalabas

na emotion

even during reading.

Sabi ko,

gusto ko talaga

gawin to.

Sabi ko doon

sa team namin.

Anggapin natin to.

Gusto ko to gawin.

So,

it's very challenging.

I don't know how

to put it into words.

Pero,

I wanted to be able

to pull it off.

I wanted to see

how it will come out.

And,

lupit niya.

Lupit.

Naganda.

At sabi nga nila,

itong darating na

Summer MMFF,

e, kumbaga,

award winning performances

na rin

ang binagyan ni Elijah.

It would be great.

Pero more than that,

the storytelling

and the way we did it,

hopefully is,

for them,

going to be as honest

as it was for us.

Anong message mo

i-asked Elijah

nung nakasama natin

sa Louise Distance?

Anong gusto mong sabihin

sa mga tao

na nangangarap

na magkaroon din

ang puwang sa industriya?

For me,

in this business,

what's important is that

you know the reason

why you're doing it.

Your biggest reason.

Yung why mo.

It shouldn't change.

And,

if it does evolve,

it should support

your first why.

My why is,

I want to support

my family.

Number one.

My second why is,

because it's the only thing

I really know how to do.

Just to be honest,

kung hindi ko ito ginagawa,

anong ginagawa ako?

That's a good question.

Ito mo lumaki.

Ito rin na rin natin yan.

Kung saka sa Kaliman,

you were given

an alternate universe.

Ano ang ginagawa kaya

o ang trabaho niya?

Kuya Nick.

I probably would've

finished architecture.

I'm not sure

if I'm gonna be as happy there

as I am right here.

Or,

I might have been a priest.

Kasi,

gusto ko magpare.

Pero,

hindi siya kawaling talaga.

Ginusto ko lang.

Oo naman.

Hindi siya kawaling.

Hindi siya naging

super cool for me.

But then again,

at the same time,

parang,

would I be as fulfilled?

Yun yung iniisip ko.

So,

dapat alam mo yung why.

Alam mo yung bakit.

And most of all,

never sell out.

Never compromise.

If you have convictions,

you stick to your guns.

If you feel na mabagal

yung pasok ng projects

dahil sa convictions mo,

that's okay.

Convictions mo yun eh.

It makes you the person.

And then,

sometime in the future,

they will finally realize

ito palang klase ng tao ka.

And they will want to work with you.

And at least,

sabi mo nga,

if you don't sell out,

if you stand by your convictions

and everything,

masarap ang tulog at gising mo.

Oo.

Di ba?

You're the most comfortable person.

No matter what everybody else says,

kung kilala mo ang sarili mo,

wala kang problem.

Kuya Nick,

baka gusto mo imbitahan silang lahat

na panoorin ng

About Us,

Bout Us.

Panoorin niya po,

April 8 until April 18

sa Metro Manila Summer Film Festival.

I would like to ask,

panoorin niya lahat ng

pilikulang lalabas sa festival.

Dahil,

palagi namin ang nadidinig na

may mga nagsasabi,

bakit ang mga Pilipino

hindi kaya gumawa ng quality films?

Actually,

nami-miss out niyo.

Kasi hinihintay niyo sa platforms

na minsan hindi nakakarating dun.

Pero nami-miss out niyo

lahat yung mga gandang ginagawa

ng mga Filipino storytellers.

So, panoorin niya lahat,

unahin niyo yung sa amin,

About Us,

Bout Us.

Kasi baka malay niyo,

it's about you,

but not about you.

Enjoy everything

that the industry has to offer.

Whether it be comedy,

action,

lahat ng yan.

Ang Pinoy film industry,

may puwang talaga tayo

on a global scale.

Sarap kausap ni Kuya Nick, no?

Kuya Nick,

thank you very much for being here

on the Weekly Lessons.

God bless you. Marami salamat.

Last na lang, last na lang.

Eto, on a personal note,

anong advice mo sa akin

bilang erpat?

If there's one thing I learned,

yung anak mo magtuturo sa'yo

kung paano maging tatay.

Tutoo yun.

You will learn from your experiences

with your child as they grow up.

One thing that I would always cherish

are our simple personal dates.

Pag kaya na niya,

i-date mo siya palagi.

They will open up more,

they feel more connected,

and they know that you have

that special time just for them.

And they can tell you anything.

And they will tell you anything.

I think yun ang goal din, no?

For every parent.

Na matanggal yung wall na yun.

It's not about fear,

or anything else.

Whatever the child feels.

Tsaka ang tendency,

kasi natatakot silang mag-open up.

Dahil baka mag-galit kayo.

So I have this rule with my kids.

Pag gusto nyo yung kausapin,

know that I will listen first.

And I will think of where it's coming from.

And I will ask you questions.

But I will never be angry.

Diba?

Lesson learned para sa akin.

Marami salamat kuya Nick

sa pag-india sa The Wise Lessons.

Kaya naman, thank you very much

sa inyong lahat.

Abangan nyo yung game show,

marami pang interview,

marami pang kalakuhan dito sa vlog natin.

Thank you for watching The Wise Lessons.

Bye guys!