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00:05.0
So Solid Podcast with
00:07.0
The Powerful Comics Man
00:09.0
Jerold Delgado and
00:10.0
Chris Bacala, Chris Bacala Podcast
00:16.0
Siguro ay na-cancel na tayo na naman doon
00:19.0
lalo sa mga pride commentaries natin
00:23.0
Pride month pa rin malamang je
00:25.0
sa episode na ito
00:26.0
Pero dito sa episode ya
00:29.0
Ito ay pag-usapan naman natin
00:32.0
ng dating kahulugan
00:34.0
ng buwan ng June dati
00:36.0
Noong tayo ay kabataan pa
00:38.0
Buwan ng aking birthday
00:39.0
Buwan ng aking kabataan
00:41.0
Buwan ng independentia
00:43.0
Independentia ng Pilipinas
00:45.0
Ba't pagganin magsalita mga Spanish?
00:50.0
Napanood ko yung ano, yung
00:52.0
Parang si Coco Martin
00:53.0
Sa Maria Clara Tibara
00:56.0
Ganyan magsalita!
00:57.0
Parang si Coco Martin
00:59.0
Sa Nescafe Classic
01:03.0
Ang mga Mexican ata
01:07.0
Si Coco Martin ba espanol?
01:10.0
Ba't siya ganyan magsalita?
01:13.0
Ang kokoba ay espanol
01:15.0
Ang salitang kokoba ay espanol
01:23.0
Sabi nung isang kaibigan ko
01:24.0
Bakit daw si Coco Martin
01:25.0
Batang kiyapo lagi nakaayos ang buhok
01:28.0
Nakaayos ang buhok?
01:29.0
Lagi nakabanggupit
01:31.0
Dapat ang batang kiyapo daw
01:35.0
Yung real life batang kiyapo
01:37.0
Talagang nakahamugan sa nansangan
01:39.0
Ang mga usok ng jeepney
01:41.0
Ano pang kwento ng batang kiyapo na yan?
01:43.0
Hindi ko pa na susundan
01:45.0
Pero sabi, parang
01:46.0
Ang sinabi lang e, parang
01:48.0
Basically, provinsyano din
01:50.0
Parang snatcher na
01:53.0
Anti-hero, anti-villain
01:55.0
Basta wala akong pakialam
01:56.0
Basta may unang ano doon
01:57.0
Basta ang alam ko e
01:58.0
Si Tony Fowler ay ano doon
01:59.0
Nagtitinda ng money
02:01.0
Kasi may money siya
02:02.0
Mahinig siya magbenta ng money
02:06.0
Speaking of Tony Fowler
02:08.0
Masyado siyang aesthetic tignan
02:11.0
At itong pag-uusapan natin ngayong hapon
02:14.0
Talagang Filipina, yes
02:16.0
Si ating Tony Fowler
02:18.0
Tilagang nawala na yun sa kaniya
02:20.0
Ang pagiging talagang Filipina
02:22.0
Nadideepik ni Juan Luna
02:24.0
Sa kanyang mga obra
02:26.0
Talagang Filipina, no
02:28.0
Parang ganun pa na siya
02:29.0
Sa ating Tony Fowler
02:32.0
Hindi pwedeng maiguhit ni Juan Luna
02:35.0
Dahil si Juan Luna
02:37.0
Mahinig sa mga religious shit
02:39.0
Kagaya ng Spolarium
02:43.0
Religious shit ba yung ano?
02:45.0
Ano ba yung Spolarium?
02:46.0
Alam ko ba, ano si Cristo e
02:50.0
Yung Spolarium kasi
02:55.0
Yun yung scene sa
02:59.0
Dun sa yung mga namatay
03:03.0
So yung Hinihilang lalaki dun
03:07.0
Lumaban yun sa gladiatorial battle
03:09.0
Meron siyang fascination sa
03:17.0
Binasa ko na yan dati
03:19.0
Nanalimutan ko lang kung bakit
03:21.0
Kasi kasama niya din si
03:27.0
Meron siyang isang obra na pagkalaki-laki din
03:33.0
Eto ba yung oil painting
03:37.0
Yung Spolarium ay
03:39.0
Dun sa mga hindi pa nakakakita
03:41.0
Mga hindi pa nakakapag field trip
03:43.0
Sa National Museum
03:51.0
Mas mataas pa dito sa mga pader natin
03:53.0
So pinaint yun sa isang
03:57.0
Ay teka no audio daw ang ano natin
04:03.0
Ba't paano naging no audio yan
04:07.0
Nag live kami sa tiktok
04:09.0
Nako na distract tayo
04:13.0
Paano no audio yan
04:21.0
Bakit wala ng audio
04:31.0
Meron man pala eh
04:33.0
Ginulong mo ang aming timing
04:35.0
Ano yung sinasabing ko?
04:41.0
Malapit sa mic nung phone mo
04:49.0
Pagtsagaan nyo nalang muna
04:55.0
Nadistract ang flow natin
04:57.0
Oo nga anong pinag-uusapan natin
05:01.0
lang naman nanonood sa atin
05:03.0
Patayin na natin!
05:07.0
Si padira ng flow yung tiktok
05:09.0
Kaya mo na yung mga clips natin
05:11.0
Wala kang nanonood
05:15.0
Baka sumilip lang sila
05:21.0
Kaya bangit yung may sabay na live
05:27.0
Ang 40 natin may podcast
05:29.0
Siguro dito dapat
05:31.0
Pero feeling ko ayokong mag tiktok habang nagre-record
05:33.0
Kasi ano nakaka-distract siya
05:37.0
Habang nag-one-luna
05:41.0
Napatingin ka sa tiktok
05:43.0
Ikaw ay nadistract
05:45.0
At nalang muna sa tiktok
05:49.0
Balik tayo sa pinag-uusapan natin kanina
05:57.0
If I remember it right
05:59.0
It has something to do with
06:01.0
It has something to do with
06:03.0
It has something to do with
06:15.0
Pero bakit siya naka-frame
06:17.0
Kung gate siya ng kwadra ng kabayo
06:19.0
Hindi ko alam kung kwadra
06:23.0
Basically wood yung pinagpintahan niya
06:29.0
Alam ko dito yata sa Pilipinas
06:31.0
Yung pinagpintahan niya
06:35.0
Tapos isinip niya sa
06:39.0
So hindi na original yan yung painting
06:41.0
sa National Museum
06:43.0
Ay di, original yan
06:45.0
Tapos hinati-hati pa yan
06:51.0
Hinati yan into four pieces
06:53.0
Para mai-sakay sa barko
06:55.0
Kumbaga nilagari siya
07:01.0
Tapos tinouch-upan siya
07:03.0
Para hindi makita yung pinaghatian
07:05.0
Ito yung gusto ko malaman
07:07.0
So oil paint yung
07:11.0
Tingnan mo yung wiki ng Spolarium
07:19.0
Painting by Filipina painter
07:21.0
Juan Luna, working on canvas
07:25.0
O canvas naman pala e
07:29.0
Working on canvas
07:31.0
Spent eight months completing the painting
07:33.0
Which depicts dying gladiators
07:35.0
The painting was submitted by Juan Luna
07:37.0
To Exposición Nacional
07:41.0
In 1884 in Madrid
07:43.0
Where it garnered the first gold
07:45.0
Medal out of three
07:47.0
The picture recreates a
07:49.0
Despoiling scene in a Roman circus
07:51.0
Where dead gladiators are stripped
07:53.0
Of weapons and garments
07:55.0
Ito yung other works of Spanish Academy
07:57.0
The Spolarium was on exhibit in Rome
08:01.0
Hindi siya nasa door
08:03.0
Hindi pa sa wood?
08:05.0
Kasi sinali siya sa competition
08:07.0
Sinang nagsasabi sa akin?
08:13.0
Pasayin mo ulit, tingnan mo
08:15.0
Hindi, sinali nga niya sa
08:19.0
Papano ba yung sali?
08:21.0
Ang laking canvas niyan
08:23.0
Kaya naniwala ako na
08:25.0
Plywood dyan kasi sobrang laking e
08:27.0
Parang di ako na may canvas na ganyan palaki
08:29.0
Sabi ko, nung sinasabi mo
08:31.0
Describe mo sa akin na napaint yun
08:35.0
Wood, parang mo na frame yung wood
08:39.0
Ito yung exhibit sa
08:43.0
National Museum, yan
08:45.0
Ang tao, pag tumayo ka dyan
08:47.0
Ito ha, tignan mo Chris
08:49.0
Ang tao, yung ulo mo
08:51.0
Mga hanggan dito lang yung ulo mo
08:53.0
So ganyan, mga ganyan lang yung
08:55.0
So nakitao ba in person yan?
08:57.0
Basically, itong mga
08:59.0
tao na to, itong nakahiga
09:01.0
na yan, yung hinihila na yan
09:03.0
Mas malaki pa yan sa tunay na tao
09:07.0
tumayo yung tao dyan
09:09.0
Mas malaki pa yan
09:11.0
Pero hindi mo na-distinguish kung wood ba o
09:13.0
canvas yan, up close?
09:15.0
Hindi ko, ano e, hindi ko
09:17.0
hinawakan dahil baka ako yung mga
09:21.0
Bawal nga basta-basta picturean yan e
09:23.0
Parang merong ano e, parang
09:25.0
Basta nasita yung wife ko
09:27.0
May ginagawa siya
09:29.0
na sinita siya nung
09:33.0
something that has to do with
09:35.0
a camera. Ito, Philippine historian
09:37.0
Ambet Ocampo presently
09:39.0
state that there are at least
09:41.0
four known versions of the
09:43.0
Spolarium that exist
09:45.0
with the much larger
09:47.0
184 version being
09:49.0
in the collection of the National Museum
09:51.0
of Fine Arts. Two smaller
09:53.0
versions are known to
09:55.0
exist that are presently in
09:57.0
private collections while the other was
09:59.0
commissioned for a Russian nobleman that
10:01.0
remains unlocated
10:05.0
Baka yung original
10:07.0
yun yung nasa canvas tapos
10:09.0
inulit na lang na malaki
10:11.0
Hindi ko alam. At sa si
10:13.0
Juan Luna ba lahat ang nagpaint no?
10:17.0
pero ito yung sukat niya dun sa
10:19.0
largest painting in the Philippines
10:21.0
with dimensions of 4.22m
10:29.0
Mali pala rin ang sinabi ko kanina
10:31.0
parang hindi naman pala ganoon kalaki
10:33.0
Oo! Ano ko ba Je?
10:37.0
You're recreating history
10:39.0
Siguro yung pagka alam ko lang
10:41.0
Ito kasi may tao e
10:45.0
hanggang tuhod lang
10:47.0
Napanaginipan mo lang yata
10:49.0
Mas malaki, mas malaki naman
10:51.0
parang teenager yung ano pala
10:53.0
So sino ba nagsabi sa'yo ng
10:55.0
myth na kwentong yan?
10:57.0
Mali-mali ang aking mga
11:01.0
Dapat pala nag-aaralan mo yung history mo
11:03.0
Pero pag nakita mo yan
11:05.0
sa personal, imposing talaga
11:07.0
kasi wow, ang laki
11:09.0
Ang laki niya, parang siyang apama
11:11.0
Yun nga e, pero feeling ko
11:13.0
kung pinaint niya sa isang pintu yan
11:15.0
hindi magiging ganyan ka
11:19.0
Ewan ko kung ano, baka
11:21.0
ibang painting yung
11:23.0
Baka sculpture yan e
11:25.0
Kasi ito, ang painting parang
11:27.0
rare lang ako makita ng painting
11:29.0
na wala sa canvas e
11:31.0
Pero may alam mo ako na ano
11:35.0
may nagsabi sa akin
11:37.0
hindi ko alam, baka
11:39.0
rare lang ako, pero yung
11:41.0
ito daw, spolarium na yan
11:45.0
kinomission para i-retouch
11:47.0
nire-retouch yan every
11:49.0
a few other years
11:53.0
kasi ang tattoo, nag-fade din yung
11:55.0
ink niyan e sa balata
11:57.0
Alam ko at least once, nire-retouch na yan
12:03.0
nababakbak or what
12:05.0
Kasi pag ganyan kaluma yung painting
12:09.0
ang tawag doon, inaalagaan
12:13.0
tinitreat pininalagay
12:15.0
para ma-preserve yung kanyang kulay
12:19.0
nabanggit natin si Ewan Luna
12:21.0
dahil merong natagpuan na
12:25.0
Merong kasing paint
12:27.0
Kasi ito si Ewan Luna bro
12:29.0
Mahilig ko sumayon na mga painting competition e
12:31.0
sa Europa, sa Paris
12:37.0
marami siyang mga paintings
12:41.0
sa iba't ibang panig
12:43.0
ng Europa. At yung mga iba, hindi na niya pag-aari
12:45.0
Wala nang claim ang kanyang
12:49.0
Prolific artist kasi talaga si
12:55.0
Hobbyist ba tawag dyan?
12:57.0
Hindi, artist talaga siya
12:59.0
Hindi, itong nakahanap ng painting niya
13:01.0
kung ano mang tawag sa kanya
13:05.0
Businessman na may
13:07.0
indulgence sa Ewan Luna
13:11.0
Nahanap after 100 years
13:13.0
Sabi nga niya para daw siyang
13:17.0
Pagnaging spy movie daw
13:19.0
Tapos inexhibit siya
13:21.0
sa Ayala Museum. Ito yung
13:23.0
Hymen, ano yung pangalan ng
13:33.0
Ewan Luna's long lost
13:35.0
painting unveiled
13:43.0
tanggalin na lang natin
13:49.0
Luna's position among the
13:51.0
best painters of the western world
13:53.0
in the late 19th century
13:57.0
of hunting in Europe, art
13:59.0
collector Jaime Ponce de Leon
14:01.0
finally got his hands on Luna's
14:07.0
Hunting in Europe? Ano to?
14:13.0
Aksyo yung depiction niya dyan pag pinakinggan mo yung speech niya
14:15.0
parang ganun na nga yung
14:17.0
papakinggan mo yung scene siya
14:19.0
But it sat in his storeroom until it was
14:21.0
unveiled on Friday
14:23.0
The time has come to unbox the Grail
14:25.0
The mystery has been solved
14:27.0
It has been found
14:33.0
Yung artista na yun sa Da Vinci Code
14:37.0
Si Tom Hanks ka ba?
14:39.0
Parang ganun yung gusto niya nga yung sabihin
14:41.0
Museum's new exhibit
14:45.0
Ewan Luna, painter as hero
14:47.0
I feel extraordinarily privileged
14:51.0
I really hope that
14:53.0
Mahilig mangunak na ng painting
14:57.0
madaming kontrobersiya si Ewan Luna
15:01.0
sinasabing nila na hindi daw
15:03.0
dapat ituring na bayani si Ewan Luna
15:07.0
Hindi ba siya painter?
15:09.0
Bayani siya dahil
15:11.0
isa siyang patriot
15:17.0
kasama siya ni Jose Rizal
15:19.0
sa La Solidaridad
15:21.0
Pero si Ewan Luna may kapatid
15:23.0
Hindi siya yung General Luna
15:27.0
General Luna si Antolin Luna
15:33.0
Antolin Luna siya
15:35.0
Antolin or Antonio?
15:37.0
Antonio Luna, siya si Juan
15:39.0
Antonio Luna yung isa
15:41.0
May Antolin pa ba?
15:43.0
Basta alam ko dalawang Luna sila
15:45.0
Pero itong si Juan Luna
15:47.0
Pinatay niya ang kanyang may bahay
15:49.0
Antonio Luna pala
15:51.0
Pinatay ni Juan Luna
15:59.0
Tignan mo fucked up yung mga batas nila dati
16:03.0
For sexist reasons
16:05.0
hindi naparosahan
16:13.0
Ewan Luna killing
16:17.0
Ano mo namatay siya? 42 lang
16:19.0
Ano mo kinamatay niya?
16:21.0
Sa British Hong Kong
16:23.0
Nagkasakit na ata
16:33.0
Kasi mga painters
16:37.0
Luna was acquitted palaw?
16:41.0
On December 4, 1886
16:43.0
Luna married Maria de la Paz
16:47.0
The couple traveled to Venice and Rome
16:49.0
and settled in Paris
16:51.0
They had one son whom they named Andres
16:53.0
And a daughter, Maria de la Paz
16:59.0
Who died when she was 3 years old only
17:03.0
Luna was fond of his wife
17:05.0
However, the jealous Luna
17:07.0
Frequently accused Paz of having an affair
17:09.0
with a Señor Mansur Dosac
17:13.0
Seloso si pareng Juan!
17:15.0
Finally, in a fit of jealousy
17:17.0
He shut the door wherein his wife
17:21.0
Killing his wife and mother-in-law
17:23.0
And wounding his brother-in-law Felix
17:27.0
On September 22, 1892
17:31.0
And murder charges were filed
17:35.0
Why was he acquitted?
17:37.0
Luna was acquitted of charges
17:39.0
On February 8, 1893
17:41.0
On the grounds of a crime of passion
17:43.0
A crime of passion?
17:45.0
Yes, a crime of passion
17:47.0
Because he was a sexist
17:49.0
But he killed two people
17:51.0
A crime of passion
17:53.0
And temporary insanity
17:55.0
Nandilimang paningin
17:57.0
It's just like him
18:07.0
But bro, I have a friend who's a lawyer
18:11.0
So he's a crime of passion
18:13.0
So they're accepting it
18:15.0
Because you're seeing it
18:17.0
But it's also included
18:19.0
It's also included
18:23.0
The brother-in-law
18:25.0
And the son-in-law
18:27.0
The unwritten law
18:29.0
At the time forgave men
18:31.0
For killing unfaithful wives
18:33.0
So it's like they have a past
18:35.0
When their wives were unfaithful
18:37.0
Actually she was a sexist
18:39.0
He was ordered to pay
18:41.0
The part of the taveras
18:43.0
A sum of 1,651 francs
18:47.0
And an additional 25 francs
18:49.0
For postage in addition
18:51.0
To the 1 franc of claims
18:55.0
Bro, he's a socialist
18:57.0
He sent his wife to Europe
18:59.0
When you see his face
19:01.0
He looks like he has a lot of faces
19:05.0
He should be jealous
19:07.0
You're an animal, Juan Luna
19:09.0
You killed your wife
19:11.0
I don't like you anymore
19:15.0
They're supposed to have a duel
19:19.0
I know there's a part
19:21.0
Where he's jealous
19:23.0
Yeah, they're both chicks
19:27.0
They're both chicks
19:31.0
He died of a heart attack
19:33.0
He died in Hong Kong
19:37.0
He had sex with a Viagra
19:41.0
He died of a heart attack
19:45.0
He's a very stressful person
19:47.0
He's probably proud
19:49.0
Because it's a revolutionary scenario
19:53.0
I think he also had a hard time
20:03.0
While he was in Europe
20:05.0
C1 Luna or Rizal?
20:17.0
Rizal was working
20:19.0
Especially when he was a student
20:21.0
He was depending on
20:27.0
I come to think about it
20:29.0
Didn't C1 Luna commission the artist?
20:31.0
To make an oeuvre for 100 masterpieces
20:35.0
When he was in Europe
20:37.0
It's like a commissioned work
20:39.0
Like this, do this, we'll pay you
20:41.0
Yeah, you would think
20:43.0
That he's a rockstar artist
20:51.0
Dali became a rockstar
20:57.0
So during that time
20:59.0
Because there were no movie stars yet
21:03.0
So you'd think, who's good at drawing?
21:07.0
I would think was a rockstar
21:09.0
But C1 Luna, I don't think so
21:15.0
He was commissioned
21:17.0
So he was able to travel
21:21.0
Well, we would need to research
21:25.0
It's not in our knowledge
21:29.0
I want to retract what I said
21:31.0
I believe he's famous
21:33.0
Because there are painters I know
21:35.0
That have traveled to Europe
21:39.0
He's probably famous
21:41.0
And he's seen a lot at that time
21:43.0
But I don't expect him to be
21:47.0
I'll follow what I want to paint
21:49.0
Because those paintings
21:53.0
There's no Filipino
21:55.0
That's where he discovered painting
21:57.0
It's like a Roman party
22:17.0
Maybe when he won
22:19.0
That's when he became famous
22:23.0
I know there's two of them
22:25.0
Felix Resurrection Hidalgo
22:29.0
The one in front of
22:33.0
At the National Museum
22:35.0
But it's not well-known
22:39.0
I think his painting is better
22:41.0
Let's look for it
22:45.0
One Luna, the one with a fat general
22:47.0
Is this a young general?
22:51.0
Resurrection Hidalgo
23:01.0
You know the painters
23:03.0
They're just low-key
23:07.0
These were earned
23:11.0
These are rock stars
23:17.0
Why is it like that?
23:25.0
They're making a prostitute
23:31.0
A representation of the Philippines
23:33.0
Is it the Philippines?
23:35.0
It's like European
23:37.0
No, the virgin represents
23:47.0
But it's not Filipino-like
23:49.0
The imagery of the virgins
23:53.0
There's another one
24:01.0
It's not the one in
24:03.0
The National Museum
24:05.0
It's like a statue
24:11.0
That's the assassination
24:13.0
The assassination
24:15.0
Of a governor-general
24:19.0
In the Philippines?
24:23.0
There's a historical event
24:25.0
Where the governor-general
24:33.0
The governor was killed
24:37.0
But there was a killed governor-general
24:45.0
As a painter yourself
24:47.0
A modern-day painter
24:49.0
Were you inspired by these works?
24:59.0
I'm not a realist
25:01.0
My genre wasn't realism
25:05.0
I'm still not a realist
25:07.0
Were your first drawings anime?
25:21.0
But it's animated
25:35.0
I'm not a fan of Mickey Mouse
25:39.0
It's easier to draw Mickey Mouse
25:43.0
I used to draw Donald Duck
25:45.0
He doesn't have wings
25:49.0
This is a different kind
25:57.0
Drawing like that
26:03.0
I don't have oil paint
26:13.0
This is oil paint
26:31.0
I was blessed enough
26:35.0
The Center of Arts
26:43.0
Have you been there?
26:45.0
Have you seen the princesses?
26:53.0
The incentive vacation
26:55.0
Of my pharmaceutical company
26:57.0
That's how big the pharma companies are
26:59.0
Big pharma, big money
27:01.0
We spent one week
27:03.0
In France and Rome
27:05.0
Did you have a conference?
27:11.0
Because we hit the sales quota
27:15.0
But you're a group
27:19.0
All the people who hit 110%
27:21.0
Of their annual sales
27:27.0
From all over the Philippines
27:29.0
What's your hotel?
27:33.0
The first week in Germany
27:39.0
But our side trip
27:41.0
Personal, not company sponsored
27:43.0
That's the small hotel
27:53.0
And you extended?
27:55.0
Yes, because we visited
27:59.0
Who's with you in Paris?
28:05.0
Spain and Germany
28:07.0
Let's go to Rome and Paris
28:11.0
Doctors who are gay?
28:13.0
No, we're just med-reps
28:15.0
There's no doctor involved
28:17.0
We're just bosses
28:33.0
It's like a triangle
28:35.0
But there's a continuation
28:39.0
You can see the full form
28:43.0
Going up and down
28:47.0
There's a lot of sections
28:49.0
There's paintings
29:07.0
Trapped in a glass cage
29:11.0
Going up and down
29:15.0
And this building
29:17.0
Yes, you can go there
29:19.0
But you can enter
29:21.0
You can enter the pyramid
29:23.0
The entrance is there
29:25.0
Oh, it's the entrance
29:27.0
You can go down the elevator
29:29.0
But you can't enter
29:35.0
If we can go there
29:37.0
Because there's a lot of sections
29:39.0
Elevator going down
29:41.0
With a tour guide
29:49.0
Like Da Vinci said
29:55.0
Of Maria Magdalena
29:59.0
But I saw Michelangelo's
30:09.0
The tour guide said
30:13.0
Because it came from
30:21.0
There was a time in the Catholic Church
30:23.0
They were scandalized
30:25.0
Because they were wearing nudes
30:27.0
And they had big tits
30:31.0
Either they covered it with leaves
30:33.0
Or they made it smaller
30:35.0
But it was muscular
30:37.0
The shape was muscular
30:39.0
And the women were chubby
30:43.0
The standard of beauty
30:45.0
The beauty of the time
30:47.0
Because if you can afford
30:51.0
It means you eat a lot
30:53.0
That's what Michael V. said
30:57.0
He's fat because he eats a lot
30:59.0
Because he's rich
31:01.0
But Michael V. we know
31:03.0
You overeat sometimes
31:05.0
But Michael V. looks skinny
31:07.0
As compared to Ninong Ry
31:09.0
Who doesn't seem to have learned
31:11.0
Ninong Ry is rich
31:15.0
I didn't really appreciate
31:17.0
Because I was so young
31:21.0
I was in my mid-twenties
31:23.0
You wanted to see
31:31.0
Because the Mona Lisa at the time
31:35.0
I didn't appreciate
31:37.0
The oil on canvas
31:45.0
Who are close to me
31:49.0
Became professional painters
31:53.0
Exhibiting outside the country
31:55.0
That's when I appreciated
31:59.0
I was in the pinnacle
32:05.0
And I don't know if I can go back
32:09.0
What's interesting
32:11.0
Aside from the paintings and sculptures
32:13.0
The architecture itself
32:19.0
The paintings up there
32:23.0
The structure is beautiful
32:29.0
Because the highest structure
32:31.0
Is the Eiffel Tower
32:33.0
You can see in the buildings
32:35.0
Of the old buildings
32:39.0
Because the structure is old
32:41.0
If you go to the top
32:43.0
You'll see the Eiffel Tower
32:49.0
Maybe they have a law
32:51.0
That prohibits it
32:57.0
The one who built the Eiffel Tower
32:59.0
Is the one who built the Statue of Liberty
33:05.0
He built it here in the Philippines
33:09.0
St. Sebastian Church
33:23.0
Because that's his style
33:29.0
It's not the tallest tower in the world
33:31.0
It's been a long time
33:33.0
It's in the hands of Dubai
33:39.0
It's even more beautiful
33:41.0
But the Eiffel Tower
33:53.0
That's the highest structure
33:57.0
Then he got that record
33:59.0
Do you know what he stole from that record?
34:01.0
For thousands of years
34:03.0
The Pyramid of Giza
34:05.0
The Pyramid of Giza
34:09.0
The biggest pyramid in Egypt
34:11.0
The biggest pyramid in Egypt
34:13.0
For thousands of years
34:15.0
Until the Eiffel Tower
34:17.0
Until the Eiffel Tower
34:19.0
That's the highest structure
34:21.0
But the weird thing about Egypt
34:31.0
There's no houses
34:33.0
It's not like Rizal
34:35.0
The monument of Rizal
34:37.0
There's an eyesore
34:47.0
I'm wearing shades
34:49.0
I'm still wearing Lolo Ben
34:53.0
But if you're in the picture
34:59.0
I didn't go upstairs
35:03.0
The restaurants are there
35:07.0
Did you eat escargot?
35:11.0
We just drank in the room
35:13.0
Then we walked around Paris
35:15.0
Then we took the metro
35:19.0
I remember the story of
35:21.0
One of my guests, John Herrera
35:25.0
He's a friend of Vicky Bello
35:29.0
In the Paris Opera House
35:33.0
I have a TikTok video of that
35:37.0
It's like a palace
35:43.0
It's like a palace in heaven
35:45.0
The Paris Opera House
35:47.0
Vicky Bello is so rich
35:51.0
That place is so exclusive
35:53.0
It's like a reception
36:01.0
Vicky Bello spent
36:13.0
Sometimes they exaggerate
36:23.0
What do you think?
36:25.0
Because his guests
36:31.0
Do you think he gave them
36:43.0
I feel like it's included
36:51.0
It's like Illuminati style
36:53.0
There's a black envelope
36:55.0
And you're invited
36:57.0
And it's first class
36:59.0
First class seats
37:03.0
You're in business
37:09.0
Will you give her a first class seat?
37:11.0
Will you invite her to your wedding?
37:13.0
You'll give her that
37:17.0
All of your guests
37:54.0
These works excel
37:56.0
But in the Philippines
37:58.0
It won't fly away
38:02.0
You need to travel
38:06.0
And when you come back
38:08.0
You'll have 1 million paintings
38:10.0
There's a different scene here
38:12.0
I'm not used to it
38:17.0
A lot of the local painters
38:29.0
You'll go to Japan
38:37.0
If you're an up and coming painter
38:39.0
You have a group in Dihan
38:41.0
And you're invited
38:44.0
They'll exhibit you
38:48.0
They're sponsored
38:50.0
But if you're not famous yet
38:52.0
You still have a share
38:54.0
In an airfare or whatever
38:56.0
They'll commission you
39:02.0
It's like a bargain
39:14.0
You'll bring your friends
39:20.0
I might exhibit you here
39:24.0
If you're a painter
39:26.0
The value will increase
39:32.0
That will choose you
39:34.0
And whatever he says
39:36.0
The market will take it
39:38.0
Do you know who's
39:40.0
The number one patron?
39:48.0
Imelda bought you
39:54.0
In the arts and films
40:00.0
She's also a patron
40:16.0
A lot of people are mad at Marcos
40:18.0
For the comic scene
40:20.0
How can he sponsor that?
40:26.0
There's a lot of activists
40:32.0
Especially in Indie comics
40:48.0
With very minimal
40:50.0
Minimal resources
40:52.0
If you have a computer
40:56.0
You can make a story
41:06.0
You have to publish
41:08.0
You have to print
41:10.0
Now you can publish a web
41:12.0
Then the compilation
41:14.0
If you have a lot
41:34.0
My friend is a painter
41:38.0
His studio is big
41:46.0
With the door at the end
41:48.0
His studio is that big
41:50.0
There's a light, a CR
41:52.0
There's a couch in the middle
41:54.0
There's his canvas
41:56.0
It's like a warehouse
42:00.0
That's what he does
42:02.0
That's how hard it is
42:08.0
That's what Juan Luna does
42:18.0
When you make a frame
42:20.0
When you stretch a canvas
42:26.0
You have to read it
42:32.0
But the other painters
42:36.0
Pre-made, stretched canvas
42:40.0
They'll scuff you
42:42.0
The real painters
42:46.0
They're like that
42:50.0
His work is different
42:52.0
Think of it as abstract art
43:00.0
But when you see it
43:08.0
But it has a system
43:10.0
I've seen him do it
43:14.0
But I think it's just a bluff
43:20.0
Throw it like this
43:22.0
The way he throws
43:24.0
It's not like I threw
43:26.0
The oil on the canvas
43:34.0
You can see it in his eyes
43:36.0
I can't understand it
43:46.0
He's done it many times
44:04.0
The color he wants
44:14.0
It depends on the gesture
44:40.0
His working table
44:50.0
He can make mistakes
44:58.0
He's doing something
45:02.0
But you're doing something
45:08.0
Well that's how it is
45:12.0
When you're an artist
45:16.0
That you're just tracing
45:30.0
For good accidents
45:34.0
But the more you do it
45:38.0
Your muscle memory
45:46.0
You can practice it
45:48.0
And the collectors
46:06.0
There's no reason
46:10.0
The people I know
46:14.0
They're not known
46:16.0
Because they're underground
46:22.0
Because of their work
46:32.0
This reestablishes
46:40.0
As one of the western
46:42.0
World's finest artist
46:50.0
The victory of Juan Luna
47:06.0
That's where Jose Rizal
47:08.0
Made his favorite speech
47:10.0
My favorite speech
47:14.0
That's where he said
47:20.0
Toast for Juan Luna and Felix Resurrection Hidalgo
47:22.0
Something like that
47:24.0
That's where he said my favorite
47:48.0
What's the stature of our country
47:52.0
We're not that educated
47:58.0
Look down upon themselves
48:12.0
Genius is cosmopolitan
48:16.0
Genius is not chosen
48:22.0
Not for the white
48:30.0
He doesn't choose
48:34.0
He doesn't choose a country
48:36.0
He doesn't choose
48:42.0
Anywhere including the Philippines
48:44.0
And Filipinos can be
48:48.0
That's basically his message
48:50.0
I see a lot of people like him
48:56.0
Did you see that?
48:58.0
He was acknowledged by Canoli de Castro
49:00.0
Because he paints
49:30.0
This is what he said
49:32.0
Genius knows no country
49:38.0
Genius is like light air
49:40.0
The patrimony of everybody
49:44.0
Like space, like life
49:50.0
It uplifts Filipino spirit
49:54.0
But those geniuses
49:58.0
In their own country
50:00.0
They need to go abroad
50:02.0
To be recognized by other races
50:04.0
And go back to where they came from
50:10.0
For me, this is empowering
50:16.0
One of the things he said
50:20.0
You will never do something
50:24.0
Until you realize
50:26.0
That you can do it
50:32.0
Like what Brian Therese said
50:36.0
You won't be rich
50:40.0
It never occurred to you
50:42.0
That you can get rich
50:44.0
So it's the same thing about
50:48.0
If you don't think
50:50.0
That you are capable of great things
50:52.0
Then it won't happen
50:54.0
So I think this is a very
50:58.0
Especially during that time
51:00.0
That's why Kanye West is like that
51:02.0
He says he's a genius
51:04.0
And he's a gift to God
51:08.0
Because he also Gemini'd Kanye West
51:16.0
He's a narcissist
51:20.0
And I think Kanye West has an autistic
51:26.0
Even in his documentary
51:28.0
That he will succeed
51:32.0
Americans have a quality
51:34.0
That they're always
51:42.0
In the Philippines
51:44.0
If you're comfortable
51:58.0
I haven't heard of a billionaire
52:04.0
Is there a Filipino billionaire in the US?
52:12.0
Let's see if there is
52:14.0
Manila, Philippines
52:16.0
Filipino-American
52:18.0
Co-founder of Snapchat
52:20.0
Co-founder of Snapchat
52:22.0
Is the world's second youngest billionaire
52:34.0
There are a lot of
52:40.0
There are a lot of people
52:44.0
But they're not well-known
52:46.0
Here's another one
52:48.0
Lloyda Nicholas Lewis
52:50.0
Filipino-American billionaire
52:52.0
So you're in the bank
52:54.0
You're in the bank
52:56.0
But not that many
53:04.0
There are a lot of people who really succeed
53:08.0
You don't know what it means
53:10.0
Lloyda Nicholas Lewis
53:12.0
Is probably the richest Filipino
53:14.0
Living outside of her home country
53:16.0
She is the chairman and CEO of TLC
53:20.0
International Holding
53:24.0
I know TLC is a channel
53:28.0
Don't Go Chasing Waterfalls
53:30.0
But what I mean is
53:32.0
There are a lot of rich people
53:34.0
When I was in the club lifestyle
53:36.0
I met these people
53:38.0
In the Philippines
53:40.0
I don't know them
53:42.0
They're not on TV
53:44.0
They're not well-known
53:46.0
But I didn't know that
54:00.0
We don't have to work hard
54:02.0
I think most Filipinos
54:06.0
You can't say Filipinos don't work hard
54:08.0
Because they work hard
54:14.0
You can't say Filipinos are lazy
54:16.0
Why are they not there?
54:18.0
In the higher echelons
54:28.0
I'll connect to what
54:34.0
He has a new video
54:36.0
I watched it one day
54:38.0
For Independence Day
54:40.0
He was talking about
54:44.0
Pre-Spanish until
54:54.0
The philosophy of
55:18.0
If we're not in Spain
55:22.0
They need to know
55:24.0
Who are Filipinos?
55:28.0
Through Rizal's work
55:36.0
He was the first one
55:44.0
We're not Tagalog
55:46.0
We're not Kapampangan
55:48.0
We're not Visayas
55:50.0
All of us are Filipinos
55:52.0
That's where he came from
56:06.0
We are one nation
56:08.0
He was the first one to
56:10.0
He was like a race fluid
56:14.0
That was the problem
56:22.0
There were rebellions
56:26.0
There was a clash in Bohol
56:28.0
His enemies were Cebuano
56:32.0
The rest of the Philippines
56:36.0
Even the people of Manila
56:40.0
How did Andres Bonifacio
56:42.0
Unite the people?
56:48.0
That's him right?
56:52.0
Unite for freedom?
56:54.0
He was inspired by
56:56.0
Jose Rizal's teachings
57:00.0
That is very potent
57:06.0
Of course we are one nation
57:10.0
It never occurred to them
57:12.0
That the Kapampangan
57:22.0
Treat the Cebuanos as Cebuanos
57:24.0
And separate people
57:26.0
If there's a problem
57:30.0
The people of Castilla
57:32.0
To stop the Cebuanos
57:36.0
At this day and age
57:40.0
It's not incorporated
57:42.0
Because if you go to Cebu
57:44.0
And you're Tagalog
57:48.0
When I was in Medre
57:54.0
They call me Alog
58:00.0
When they go to Manila
58:02.0
They call me Bisaya
58:04.0
So where are the Filipinos?
58:10.0
Whatever you call it
58:14.0
I'm from Marangay
58:16.0
You're from Marangay
58:18.0
You're from Tondo
58:20.0
You're from the North
58:22.0
I'm from the South
58:30.0
That we have enemies
58:32.0
We're all Filipinos
58:34.0
When it comes to China
58:38.0
This is the sad truth
58:40.0
I talked to a colleague
58:42.0
They're at the airport
58:44.0
And they're fighting
58:46.0
When they're boarding
58:48.0
At the Japan airport
58:54.0
They're fighting in a foreign country
58:58.0
Someone's ahead of them
59:00.0
And they're losing there
59:02.0
And they're about to reach
59:06.0
So where are the Filipinos in other countries?
59:08.0
That's the sadness
59:10.0
We're all Filipinos
59:12.0
When that happened
59:16.0
That was a revolutionary idea
59:18.0
And that was a dangerous idea
59:20.0
For the Spaniards
59:22.0
Because that has the potential
59:30.0
When the Filipinos found out
59:34.0
When the Bucolanos
59:38.0
We need the help of the Spaniards
59:40.0
We need the Bucolanos
59:44.0
Did they succeed?
59:48.0
But the Americans
59:52.0
So at the brink of
59:58.0
And they attacked us
60:02.0
There was already
60:04.0
American-Spanish war
60:08.0
The Spanish Empire
60:20.0
And the Spaniards were freed
60:22.0
So the Philippines was next
60:30.0
Because we were sold to the Treaty of Paris
60:34.0
It's like we're in Tilapia
60:36.0
It's like we're in Tilapia
60:42.0
Our place is strategic
60:48.0
Well, there's nothing we can do
60:50.0
That's what happened in the history
60:54.0
The others, sadly
60:56.0
There are Filipinos
60:58.0
That would benefit
61:00.0
When the Americans came
61:02.0
So they're companions
61:04.0
And we can't avoid
61:06.0
That our culture is partly
61:10.0
Actually, it's true
61:14.0
That we enjoy here
61:18.0
Our freedom of speech
61:22.0
I think it's pretty good
61:24.0
It's not perfect, of course
61:26.0
But it's not like
61:44.0
By the United States
61:46.0
The problem there
61:48.0
Is that it overpowered
62:00.0
That's why I said earlier
62:02.0
That we can be somewhat
62:06.0
That if your life is comfortable
62:12.0
We have three cars
62:14.0
We have three houses
62:18.0
Although you can still be Elon Musk
62:22.0
But because you're comfortable
62:24.0
You can see that your family is okay
62:28.0
They stopped there
62:30.0
Actually, the films there
62:32.0
Are being criticized
62:34.0
By the white people
62:42.0
That's ingrained in the Filipinos
62:48.0
If your life is compassionate
63:04.0
The idea of the Filipinos
63:10.0
You're free to do
63:12.0
Whatever you want
63:16.0
You're not eating
63:20.0
You can't control your life
63:24.0
You feel like you're not free
63:26.0
Because you don't have
63:30.0
You can't control
63:32.0
Because of the control
63:34.0
He said a lot about that
63:38.0
About the ancient
63:56.0
The Baganian spirit
64:00.0
So it's like a duty
64:02.0
You need a duty to fulfill
64:04.0
All of your needs
64:06.0
Actually it's like that
64:08.0
Because the Bagani
64:10.0
Comes from the word wani
64:12.0
That we still use
64:22.0
It's an Austronesian word
64:24.0
I think in Indonesia
64:26.0
There's a word like that
64:34.0
That's irreplaceable
64:38.0
Somebody that does something that's irreplaceable
64:44.0
That's why the lecture
64:46.0
That's the lecture of Shau Chua
64:52.0
It's ingrained in us
65:06.0
Even if we're not Elon Musk
65:08.0
Because you're free
65:10.0
You feel like you're free
65:14.0
Maybe that kind of mentality
65:16.0
Because a lot of people
65:22.0
You can achieve a little bit
65:28.0
Is it Spain first?
65:38.0
That crushed our souls
65:42.0
The Cartilla of the Catipunan
65:48.0
That's the ultimate goal of
65:54.0
That Andres Bonifacio wants to build
65:56.0
For all Filipinos
65:58.0
To be compassionate
66:00.0
And with being compassionate
66:02.0
It's not just being compassionate
66:04.0
That you have enough
66:06.0
Compassion is with the community
66:08.0
Because for example
66:10.0
If you have enough
66:14.0
You go out and fight
66:16.0
Then your life is still not compassionate
66:18.0
Because there's trouble
66:22.0
Harmony of the community
66:24.0
Helping each other
66:26.0
Is with being compassionate
66:28.0
Isn't it beautiful?
66:30.0
It's like it's disappearing
66:34.0
Actually it's gone
66:36.0
When I heard that
66:40.0
That is the original
66:42.0
Philosophy of the Filipinos
66:46.0
It's gone because
66:50.0
Western philosophy
66:54.0
Because the western philosophy
66:58.0
Freedom to do what you want
67:00.0
To pursue personal happiness
67:02.0
To pursue individuality
67:10.0
The others, fuck them all
67:12.0
Personal happiness
67:14.0
That's what's in the constitution
67:20.0
In the pursuit of happiness
67:22.0
To be free and blah blah blah
67:24.0
In the pursuit of happiness
67:26.0
So that's included
67:28.0
That's why you can be a
67:32.0
You can be an artist
67:34.0
You can be a singer
67:38.0
Whatever you pursue
67:40.0
That's what you do
67:42.0
Whatever wealth you get
67:48.0
According to the people
67:54.0
The ultimate goal
67:58.0
The ultimate idea
68:04.0
Because of the poverty
68:10.0
This is a good topic
68:12.0
Philosophical shit
68:18.0
I'll put the link
68:20.0
Of the lecture of
68:24.0
He said something about
68:32.0
Because our afterlife
68:38.0
You'll use a boat
68:40.0
Because we're maritime people
68:44.0
You'll use a boat
68:46.0
So maybe that's where the word
68:50.0
Because it's on a boat
68:56.0
What if you don't know how to swim
68:58.0
So you'll use a boat
69:04.0
Let the boat travel
69:12.0
Follow us on Facebook
69:24.0
We love Team Spotify
69:30.0
Yes and with that
