To Aspiring Stars: Find out why you need voice and movement training w Coach Jerwin and Coach Carlon
01:19.0
So as performers, sa mga performers, mandatory din siya na gawin yung movement na magiging complex para nagkakaroon ng beauty.
01:30.0
Paggagawin mo siya ng performance.
01:31.0
Okay, ngayon ay inibidhan din po natin ang ilang talents for us to be able to explain to you clearer what exactly is movement and vocal training are all about.
01:47.0
We have Justin, Ardy, Gabriel, Jules, Josh, and we have Arvi.
01:54.0
Punta naman tayo sa vocal training, Jerwin.
01:59.0
Well, kung pag-uusapan natin yung pagkanta, Tito Boy, sobrang kailangan natin matutunan kung paano yung tamang pagkanta.
02:08.0
Hindi lang basta kumakanta, kailangan marami pang kailangan matutunan na technical, Tito Boy.
02:12.0
Like for example, paano ba yung tamang paghinga?
02:15.0
What is the breathing technique in singing?
02:18.0
Sa pagkanta po, Tito Boy, bawal pong gumawa yung balikan.
02:24.0
So, dapat relax ka lang. Kailangan mo kumuha ng tamang hangin. So, inhale. Pinupunon niyo po yung lungs.
02:31.0
Guys, can we have all the boys here?
02:33.0
So, the right way to do it is to breathe through…
02:35.0
Parehas, Tito Boy.
02:39.0
Yes po, Tito Boy.
02:41.0
So, exercise natin. Apat, apat na beses. Parang…
02:46.0
One, two, three, inhale.
02:55.0
Kung gusto mo lang, matrain yung proper breathing, Tito Boy.
02:58.0
Let's try that with the song, Tago ng Tago. Let's do one stanza.
03:02.0
I-perplex kita sa harap ng mapanghusgang mga tao.
03:09.0
Di na tama palagi ang tago ng tago ng tago.
03:17.0
Dahil alam ko sa'yo ay hindi plastic na labo ng labo.
03:24.0
I just wanna be with you all the time at di na tago ng tago.
03:33.0
Yes po, Tito Boy.
03:34.0
Karlon, if you were to give movement to that stanza, paano mo gagawin yan?
03:39.0
Reconciling that with the technique of breathing.
03:43.0
Let's try. Itong limang.
03:44.0
Let's try with…
03:46.0
Yung tago ng tago.
03:47.0
Simple lang mo na.
03:48.0
Let's try yung basic movement na…
03:51.0
Everyone to the right, right, right leg.
03:54.0
So, cross one, two, three.
03:58.0
On the fourth slide, go side.
04:01.0
One, two, right, up, and up.
04:10.0
You guys can manage it.
04:12.0
We're doing this for the first time.
04:14.0
The boys are learning this for the first time.
04:16.0
Learning with you.
04:17.0
Kaya, tinan lang natin.
04:18.0
Go ahead, Karlon.
04:20.0
Let's go to the step because I wanna see how movement and voice go together in a number like this one.
04:30.0
So, for the first line, mag-cross mo na kayo doon.
04:36.0
So, let's make it simple.
04:38.0
Cross kayo ang dalawa.
04:39.0
Ikot, palit kayo ang tatlo.
04:41.0
Change position lang.
04:47.0
And do the movement.
04:52.0
Saang banda kaya, Jermaine?
04:55.0
So, sa first line, mag-cross.
05:03.0
Nang mapangusga mga tao.
05:10.0
Lagi na tagot, tagot, tagot.
05:15.0
Dahil alam ko sa'yo.
05:19.0
Itas kita labo, labo.
05:22.0
I just wanna be with you all the time.
05:26.0
Hindi na tagot, tagot.
05:34.0
Hindi na tagot, tagot.
05:42.0
Kailangan talaga practice ang practice
05:44.0
para hindi nagsasuffer yung boses,
05:46.0
hindi nagsasuffer yung movement.
05:48.0
And that's the whole challenge of performers, no?
05:50.0
Pero ang pagkanta, Jermaine,
05:52.0
is inborn or is it a skill that can be learned?
05:56.0
Pwede po matutunan.
05:57.0
Pwedeng matutunan?
05:58.0
Pwede po, Tito Boy.
05:59.0
As in, andami ko na pong experience na
06:02.0
mga hindi talaga nakakanta ngayon,
06:04.0
nakakanta na sila,
06:06.0
nakakapagsulat na sila.
06:08.0
Naririnig natin, Carlo, na pasensya ka na,
06:11.0
hindi na marunong sumayaw,
06:12.0
dalawa ang kaliwang paako.
06:15.0
Is movement, is dance,
06:17.0
something that can be learned?
06:21.0
Bago tayong matutumag salita, Tito Boy,
06:23.0
natutumuna tayong gumalaw.
06:27.0
di ba, may movement tayo.
06:29.0
So, pwedeng matutunan ng pagsasayaw.
06:32.0
Meron din iba-ibang genre,
06:34.0
iba'ng disipline,
06:35.0
depende sa dance.
06:37.0
Halimbawa sa boys,
06:38.0
pag-late ka na mag-take ng ballet class,
06:41.0
pwede pa naman matuto,
06:45.0
pag yung medyo matanda.
06:48.0
dapat nag-start sila baby.
06:50.0
Kaya may mga baby ballet, di ba?
06:52.0
Iba kasi anatomy din ng lalaki.
06:54.0
Mayroon, it's getting clear to me that
06:56.0
the responsibility of a performer
06:58.0
does not just cover
07:02.0
yung movement and singing,
07:04.0
pero it also includes understanding the text.
07:08.0
Understanding what actually you're doing,
07:10.0
what song you're delivering,
07:14.0
What do you do when a song is,
07:16.0
a ballad, for example.
07:23.0
Let's go to that song,
07:24.0
para we will understand it better.
07:27.0
So, may part dito na
07:29.0
acapella mo nasa umpisa.
07:31.0
Importante pag nag-acapella, boys,
07:37.0
pag kumakanta kayo as a group,
07:39.0
you have to sound as one.
07:45.0
Ready, one, two, three.
08:00.0
It's just what life is all about
08:04.0
For me, for you and me
08:08.0
Who are different with who we love
08:13.0
But same yung man,
08:17.0
It's just what life is all about
08:21.0
For me, for you and me
08:25.0
Who are different with who we love
08:30.0
But same yung man,
08:41.0
If it's not here tonight
08:45.0
I am here to break
08:48.0
I'm here to break
08:58.0
I wanna be happy, I wanna be free
09:00.0
I just wanna live, just wanna love
09:02.0
I just wanna every day
09:04.0
I just wanna live, just wanna love
09:16.0
That I am here to be you
09:19.0
I am here to be me
09:29.0
Mga kababayan, ako yung natutuwa po
09:32.0
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09:37.0
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09:40.0
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09:43.0
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09:45.0
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09:47.0
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09:50.0
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09:52.0
Visit the link on the description for more info
09:56.0
Maraming salamat po
09:58.0
Any comments first, Joey?
10:04.0
Na-feel ko yung dito, Boy
10:06.0
Pero syempre, marami pa rin mga
10:08.0
Parts na hindi masyadong malinis
10:10.0
Pero po, importante po sa akin dito, Boy
10:12.0
May mga songs kasi na
10:14.0
Hindi mo makailangan masyadong technical
10:19.0
Agree ako sa'yo doon
10:20.0
I judge many talent contests
10:23.0
Ako talaga gusto ko yung
10:25.0
Basta may nararamdaman ako
10:30.0
Napapasaya mo ako
10:31.0
To me, that's singing
10:36.0
Kailangan may maramdaman ako
10:38.0
And doon sa delivery nila
10:40.0
I just wanna be happy
10:42.0
I just wanna be free
10:44.0
Ayan na ang letra
10:46.0
I'll have the boys stand here
10:50.0
What will you tell them
10:52.0
To be able to deliver
10:54.0
That brave message of
10:59.0
Can you just give me what I deserve
11:03.0
Remember, you're talking to yourself
11:05.0
Hindi pa siya as a group
11:08.0
Kung babalikan nyo yung mga
11:10.0
Napakinig kong lyrics
11:12.0
You're talking to yourself
11:15.0
You're talking to
11:19.0
So lahat kayo, meron kayong
11:21.0
Pero lahat kayo may may wish
11:24.0
Yung pinagdadaanan nyo
11:26.0
Mabigat yung pinagdaanan nyo
11:28.0
So pakita nyo yung stance
11:31.0
Na parang you're full of angst
11:34.0
Full of pagbubuli
11:36.0
Yung mga sinasabi nyo
11:37.0
Na sana walang ganito
11:40.0
Then dapat gradual
11:42.0
Nagpaprogress yung
11:44.0
Parang may resolution sa huli
11:46.0
Pero para tumagos sa amin
11:51.0
Notes from you, Jerwin
11:52.0
Ano ang paalala mo sa kanila?
11:54.0
From a vocal point of view
11:57.0
Dapat ano lang, Tito Boy
11:58.0
Committed ka lang sa gagawin mo
12:00.0
Committed to the song
12:02.0
And sa movement na gagawin
12:03.0
Kaya ka gumagalaw
12:05.0
Kasi gusto mong i-express yung song eh
12:07.0
Hindi mo namang kailangan gumalaw na marami, diba?
12:10.0
Kung ano lang yung nape-feel mo
12:11.0
Hindi mo kailangan pilitin yung sarili mo na
12:13.0
Ah, ganito, ganito
12:14.0
Kung ano lang yung nape-feel mo that time
12:17.0
Wag kayo mag-perform
12:19.0
When you step on stage
12:20.0
Wag nyo unahin yung mag-pe-perform ako
12:23.0
Mag-de-deliver ako
12:26.0
So, when I get on stage
12:28.0
Hindi yung kaagad ganon
12:30.0
Kasi Tito Boy, diba
12:31.0
Sanay kasi alam nyo may spectators
12:35.0
So, technically, yung body natin
12:37.0
Kailangan natin magpakita sa kanila
12:41.0
Pag nakuha niya na yung technique
12:45.0
When I step on stage
12:50.0
Kailangan nandun ka sa hahawakan mong song
12:55.0
Yung sinasabi ni Tito Boy
12:56.0
Paano tatawid at tatagos
12:59.0
Wag kayo mag-pe-perform
13:02.0
Perform muna sige sa sarili nyo
13:04.0
It starts with you, no?
13:05.0
Start with you, with them
13:08.0
Starting with the acapella
13:10.0
And then go to the song
13:14.0
Just for love, just for love
13:16.0
I just wanna be happy
13:30.0
So, that's what I just want
13:44.0
We're taking our destiny
13:47.0
I'm dreaming of another world
13:53.0
It's okay to lose
13:55.0
It's okay to lose
13:59.0
That I am here to be
14:14.0
Just for love, just for love
14:16.0
I'm happy with you
14:18.0
Just for love, just for love
14:22.0
Just for love, just for love
14:23.0
I'm happy with you
14:24.0
Just for love, just for love
14:25.0
I'm happy with you
14:26.0
Just for love, just for love
14:30.0
Just for love, just for love
14:39.0
Just for love, just for love
14:42.0
But I aspire to be you
14:45.0
I aspire to be happy
14:56.0
Just for love, just for love
14:58.0
I just want to be happy
15:00.0
Just for love, just for love
15:02.0
I just want to be
15:15.0
We have a mannerism
15:17.0
Maybe because music dictates to you
15:20.0
That even if you're not
15:25.0
So this is a mannerism
15:27.0
Because you're also musicians
15:30.0
But for a first time
15:31.0
For a first time, of course
15:34.0
How will you deliver it
15:36.0
The truth, right?
15:38.0
So when you feel that truth
15:41.0
That your body is moving
15:43.0
So how do you cure this?
15:48.0
You don't have to be firm
15:51.0
You don't have to
15:52.0
You don't have to
15:53.0
You don't have to
15:54.0
It depends on what it is
15:56.0
Because sometimes
15:57.0
The eyes are able to notice
15:59.0
And using the gesture then
16:01.0
When you master that
16:04.0
Maybe it will signify
16:06.0
That it hurts here
16:07.0
So you can release it
16:10.0
If you're going to use it
16:11.0
And you're going to do the song again
16:13.0
So that there's a good gesture
16:17.0
So just avoid the choices
16:21.0
Might deliver the wrong message
16:24.0
Jerwin, musically
16:25.0
From a vocal point of view
16:27.0
I'm super happy to do it
16:29.0
Although there's also a disadvantage
16:30.0
Because if you're too emotional
16:34.0
What I always tell them
16:38.0
Your emotions control you
16:42.0
I fell in love with Justin
16:46.0
But always remember
16:48.0
You should be the one
16:49.0
Who controls your emotions
16:52.0
But you should still be there
16:54.0
What other techniques
16:55.0
For new performers?
16:57.0
Let's go to the song
16:58.0
Gabriel, come here
17:00.0
I want to do this with a voice
17:03.0
And how they can sing with a soloist
17:06.0
What are the dynamics
17:07.0
As the last technique
17:09.0
That we're going to talk about tonight?
17:11.0
If there's a soloist
17:12.0
It means you're the one looking
17:15.0
If there's a backup
17:16.0
Or there are supports
17:18.0
Your energy should still merge
17:21.0
It's just a standout
17:22.0
But you shouldn't be left out
17:26.0
Whatever movement it is
17:29.0
That small movement
17:31.0
To merge your energy
17:33.0
When it comes to the voice
17:37.0
So you should still support
17:40.0
You don't need to
17:46.0
You need to blend
17:50.0
Can they do it together?
18:06.0
Who dreams to be you
18:10.0
And you are proud
18:15.0
For you being you
18:19.0
In an empty world
18:51.0
Thank you, Gabriel
18:54.0
Carlon and Jerwin
18:57.0
What would you like to say
18:59.0
To those watching us
19:01.0
Who dreams to be a performer
19:04.0
You don't need to go
19:07.0
And pay for a space
19:12.0
There are a lot of resources
19:14.0
Especially in this time
19:19.0
If you feel like you're singing
19:22.0
If you feel like you're dancing
19:24.0
And you feel like you're in a group
19:27.0
Then if you can catch yourself
19:29.0
Whatever you want
19:37.0
To choose me as a dancer
19:40.0
I will really train
19:41.0
You can't be lazy
19:42.0
You can't be lazy
19:45.0
If that core is gone
19:46.0
Because we all use our core
19:51.0
If the core is gone
19:52.0
If it stops spinning
19:54.0
So your core should
19:58.0
It shouldn't change
20:05.0
You can learn a lot
20:10.0
Take care of our voice
20:12.0
That's the most important
20:13.0
Because it's there
20:18.0
If you love your voice
20:20.0
If you accept your voice
20:23.0
Because sometimes
20:26.0
They want to be like this
20:29.0
So they can be in songs
20:34.0
So accept your voice
20:37.0
Whatever kind of voice you have
20:39.0
It's good that now
20:44.0
To feel your heart
20:47.0
Because there are people
20:49.0
I want to be able to try everything
20:50.0
I want to be able to
20:55.0
When you're in the process
21:02.0
And what your voice can't do
21:16.0
That you cannot do everything
21:19.0
You should have integrity
21:21.0
In what you can do
21:24.0
In what you can understand
21:26.0
And what makes you happy
21:30.0
To end this conversation
21:41.0
Whatever you feel
21:59.0
Because my love for you
